Euphoria

Euphoria

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Dhurandhar : No Telugu Release for Part 1; Makers Announce Part 2 Bilingual Release for March 2026 Bollywood
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Dhurandhar : No Telugu Release for Part 1; Makers Announce Part 2 Bilingual Release for March 2026

Ranveer Singh's Dhurandhar continues to rewrite the record books at the Indian box office. In a rare cinematic feat, the film's third-weekend collections have outperformed its opening weekend, signaling extraordinary legs and a historic trend in the Hindi market. However, amidst this euphoria, the makers have made a surprise strategic announcement regarding its regional expansion. Despite the massive demand and strong collections already pouring in from the AP/TG (Andhra Pradesh/Telangana) regions for the Hindi version, the makers have officially decided to stall the Telugu dubbed release of Part 1. The decision comes as the film continues to dominate the Hindi circuit. The production house believes that introducing a dubbed version at this late stage might disrupt the current organic momentum the original version is enjoying in Southern territories. (adsbygoogle = window.adsbygoogle || []).push({}) Dhurandhar Box Office Breakdown Worldwide Collection: ₹ 876.5 Cr India Net Collection: ₹ 572.25 Cr India Gross Collection: ₹ 686.5 Cr Overseas Collection: ₹ 190 Cr Recent Hindi Net Performance: Day 18: ₹ 16.5 Cr Day 17: ₹ 38.5 Cr Day 16: ₹ 34.25 Cr Day 15: ₹ 22.5 Cr With the first installment's legacy firmly established, the focus has shifted entirely toward the future of the franchise. The makers have officially confirmed that Dhurandhar Part 2 is slated for a massive global release on March 19, 2026. While the date is locked, the regional strategy for the sequel is reportedly set to be much more expansive. Industry reports suggest that by withholding the Telugu dub for the first chapter, the team is building a massive appetite in the South for the second installment, which is expected to arrive as a simultaneous bilingual launch in both Hindi and Telugu. This move aims to ensure that the Telugu market experiences the sequel as a Day 1 native-language event, potentially yielding a record-breaking opening across South Indian territories.

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Akhanda 2 to Simha: Ranking the Most Iconic Mass Moments of the BB Combo That Made Theatres Erupt Tollywood
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Akhanda 2 to Simha: Ranking the Most Iconic Mass Moments of the BB Combo That Made Theatres Erupt

If there is one combination in Tollywood that guarantees goosebumps, deafening whistles, and box-office bonanzas, it is the lethal duo of Nandamuri Balakrishna (NBK) and director Boyapati Srinu. Over the last 15 years, this BB Combo has redefined the commercial mass genre, blending high-octane violence with family sentiment and"”in recent years"”heavy doses of divinity. With their fourth collaboration, Akhanda 2: Thaandavam, hitting screens today (December 12, 2025) and already creating waves, we revisit the high-voltage saga to rank the moments that defined this phenomenon. Here are the Iconic Mass Moments from the BB Cinematic Universe, ranked by their sheer impact on the audience. 1.Simha (2010) Long before the screen was filled with fierce Aghoras and roaring political leaders, the Boyapati-Balakrishna saga began with a deceptively calm figure: the Doctor. In their maiden collaboration, Simha (2010), Boyapati Srinu introduced audiences to a strict professor who refused to tolerate indiscipline. The standout moment occurs within the walls of a medical college, where Balakrishna catches a gang of rowdy students. What starts as a lecture on anatomy quickly escalates into a bone-breaking warning, setting the tone not just for the film, but for the entire decade of mass cinema that followed. This scene is immortalized by the dialogue that became an instant cultural staple: Chudu"¦ okka vaipu chudu"¦ rendo vaipu chudalanukoku. Thattukolevu. Madipothundi! (Look at only one side of me"¦ don't try to see the other side. You won't be able to handle it. You'll get burnt!). It was this precise moment that established the quintessential Boyapati template: a dignified, calm man concealing a volcano of rage, ready to erupt at the slightest provocation. Box Office Verdict: The film wasn't just a comeback; it was a commercial rampage. Made on a budget of 18 crore, Simha delivered a massive ROI with a Distributor Share of ₹36 crore and a Worldwide Gross of over 60 crore, earning a Blockbuster status. 2.Legend (2014) If Simha was the spark, Legend (2014) was the wildfire that carried mass elevation into the political arena. The film's interval block, featuring the return of the titular character in a now-iconic modified Tata Safari, is widely regarded as the stuff of legends. However, the sequence that truly ignited the screen was the high-voltage confrontation with the antagonist, played by a menacingly stylish Jagapathi Babu. The moment becomes etched in history when Balakrishna delivers the thunderous line: Naaku kotthaga nachina vaallaki oka maata chepthanu... Nachakapothe valla patti kaalusthanu! (I tell one thing to those who newly like me... If I don't like them back, I'll light their coffin). This scene wasn't just about dialogue; it was a masterclass in contrast. The juxtaposition of Jagapathi Babu's corporate, sophisticated villainy against Balakrishna's raw, unbridled power created one of the most electrifying hero-villain face-offs in the history of Telugu cinema. Box Office Verdict: Legend solidified NBK's market stamina, becoming the biggest hit of his career at the time. Against a budget of approximately ₹35-40 crore, the film delivered a massive commercial success with a Worldwide Gross between ₹68 crore to ₹70 crore. Akhanda (2021) In Akhanda, Boyapati mixed horror elements with mass action. The scene where the Aghora Akhanda walks through the dust to save a child trapped in a borewell, while simultaneously destroying the goons, is pure cinematic euphoria. The sound design by Thaman S, combined with the visual of Balakrishna lifting the villain with a trishul like weapon, created a divine mass genre. It wasn't just a fight; it was a ritual. The silence before the storm and the explosion of violence when Akhanda steps in proved that the BB combo could make even a spiritual avatar look terrifyingly mass. Box Office Verdict: Defying the pandemic odds, Akhanda emerged as a massive Super Hit. It grossed a staggering ₹117 crore Worldwide, with the India Gross contributing ₹103.3 crore (India Net: ₹89 crore) and Overseas markets adding ₹13.7 crore. Akhanda 2: Thaandavam (2025) Fresh off the reels! Released today, Akhanda 2 has already delivered a candidate for the top spot. Early reports and reviews highlight the Introduction Fight, where Balakrishna (reprising the Aghora role) performs a ferocious Thaandavam (dance of destruction) amidst a backdrop of snowy Himalayas and enemies. According to early reviews, the scale has been upped significantly.The visual of Balakrishna as a force of nature"”part human, part deity"”battling against a biowarfare conspiracy brings a new superhero texture to the mass genre. It's loud, it's unapologetic, and it's exactly what fans paid for. Box Office Verdict: The Lion is back to hunt! As of the latest live tracking updates on release day, the film has already registered ₹1.83 crore in opening flash numbers, signaling a record-breaking start for the franchise.

Akhanda 2 Release Date: Nandamuri Balakrishna set to storm cinemas on December 12; Tollywood
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Akhanda 2 Release Date: Nandamuri Balakrishna set to storm cinemas on December 12;

Get ready for the roar because the God of Masses is coming back to conquer the box office. After months of speculation and massive hype, the makers of Akhanda 2: Thaandavam have finally locked the release date. If the latest updates are to be believed, the film is all set to provide a mass feast to the audience right before the year ends. According to a confirmed update shared by trade portals, the producers have officially communicated the release plans to distributors. Akhanda 2 is scheduled to hit the big screens worldwide on December 12, 2025. But that is not all. Understanding the massive craze for Balakrishna, the makers have planned grand premieres to start the celebrations early. The producers have officially confirmed that the distributor premieres will kick off on the night of December 11, ensuring that the euphoria begins a day before the worldwide release. The excitement for Akhanda 2 is sky-high primarily because of the deadly combination of Nandamuri Balakrishna and director Boyapati Srinu. This marks their fourth collaboration after the blockbuster successes of Simha, Legend, and Akhanda. Balakrishna will be reprising his dual role, with the Aghora character being the highlight. The first part, released in 2021, was a massive commercial success, celebrated for its high-octane action sequences and Thaman S's thunderous background score. The sequel, titled Thaandavam, promises to scale up the action and spiritual intensity to a whole new level.

Kalamkaval Box Office Report: Mammootty starrer passes the Monday test; Global collections hit Rs 44 Crores in opening weekend Mollywood
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Kalamkaval Box Office Report: Mammootty starrer passes the Monday test; Global collections hit Rs 44 Crores in opening weekend

The Malayalam film industry is truly in its best phase, churning out blockbusters that appeal to a global audience. The latest addition to this list is the crime-thriller Kalamkaval. Released amidst high expectations due to its intriguing trailer, the movie has capitalized on excellent word-of-mouth reviews to post a staggering total in its first weekend and has begun the weekdays on a promising note. After a massive weekend, all eyes were on how the film would perform on its first working day. According to Early Estimates, Kalamkaval has passed the crucial Monday test with flying colors. The film reportedly collected Rs 2.90 Crore on Day 4 (1st Monday). This indicates a solid hold, suggesting that the audience interest remains intact even after the weekend euphoria. With this addition, the film is steadily inching towards the Rs 20 Crore net mark domestically in record time. (adsbygoogle = window.adsbygoogle || []).push({}) The movie officially registered a Worldwide Collection of Rs 44 Crore in just its opening weekend. This is a massive feat, especially for a film that relies heavily on its screenplay and performances rather than just mass masala elements. The film has trended exceptionally well over Saturday and Sunday, proving that the audience is loving the content. In a rare and surprising trend, Kalamkaval has performed significantly better in international markets than within India, highlighting the massive demand for quality Malayalam content in the Gulf and European regions. While the film secured a respectable India Gross of Rs 19.4 Crore (with a Net collection of Rs 16.5 Crore), it raked in a colossal Rs 24.6 Crore from international territories. This disparity indicates that the diaspora audience has embraced the thriller wholeheartedly, contributing more than 50% to its total revenue"”a phenomenon seldom seen in Indian cinema. (adsbygoogle = window.adsbygoogle || []).push({}) Directed by Jithin K. Jose, Kalamkaval is an intense crime thriller produced by Mammootty Kampany. The movie stars the powerhouse performer Mammootty in the lead role, supported by Vinayakan and others. The plot revolves around a gripping investigation that unravels dark secrets, with critics praising Mammootty's intense portrayal and the film's atmospheric storytelling. With a worldwide gross of over Rs 44 Crore and a stable Monday of Rs 2.90 Crore, Kalamkaval is racing towards the Rs 50 Crore club at lightning speed. If the current trend continues, it is well on its way to becoming one of the biggest hits of the year for the Malayalam industry.

Andhra King Taluka Day 1 : Post Weakest Opening for Ram Pothineni in Years; Fails to Match Skanda and Double iSmart Tollywood
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Andhra King Taluka Day 1 : Post Weakest Opening for Ram Pothineni in Years; Fails to Match Skanda and Double iSmart

The wait for a massive turnaround for Ustaad Ram Pothineni continues. His latest emotional drama, Andhra King Taluka, released yesterday (Thursday) to a lukewarm reception at the ticket windows. Despite a fresh combination with director Mahesh Babu P and the presence of Kannada superstar Upendra, the film"™s opening day numbers have fallen significantly short of the actor"™s recent standards. According to early estimates, Andhra King Taluka collected a net of ₹4.25 Crore in India on its first day (Thursday). While these numbers would be decent for a mid-range film, they are alarming for a star of Ram"™s stature, especially when compared to his previous openers. The film has failed to generate the "mass frenzy" usually associated with his releases. To put the current performance into perspective, a comparison with Ram Pothineni"™s recent releases reveals a concerning downward trend in his initial theatrical pull. While his previous outing Skanda registered a massive opening of ₹13.6 crore gross, followed by Double iSmart with a moderate start of ₹8.4 crore gross, Andhra King Taluka has opened significantly lower. With an estimated gross of roughly ₹5.2 crore (derived from the ₹4.25 crore net figures), the film"™s opening numbers are approximately 60% lower than Skanda and trail significantly behind Double iSmart, indicating a sharp decline in day-one dominance. Trade analysts suggest the drop in numbers could be due to the film"™s significant genre shift. Unlike Ram Pothineni"™s previous high-octane mass actioners like Skanda and Double iSmart, Andhra King Taluka is pitched as an emotional biopic of a fan, a theme that may not have immediately resonated with the mass audience. Directed by Mahesh Babu P (of Miss Shetty Mr Polishetty fame), the film features Bhagyashri Borse as the female lead and music by the duo Vivek-Mervin. The plot follows the journey of Sagar (Ram Pothineni), a die-hard fan whose life revolves around a fictional superstar named Surya Kumar, played by Kannada star Upendra, shifting the focus from typical commercial elevations to a more grounded, character-driven narrative. Early word of mouth is mixed to positive but lacks blockbuster euphoria. While audiences are praising Ram Pothineni"™s grounded performance and his emotional dynamic with Upendra, the slow pacing and absence of commercial high moments have reportedly disappointed the core mass audience expecting his usual high-energy actioners. With an opening of ₹4.25 Crore Net, Andhra King Taluka has a runway to build momentum over the coming days. The Thursday release provides a strategic advantage in the form of an extended weekend, offering ample time for the film to grow. If the emotional content resonates with the audience as expected, the movie is well-positioned to capitalize on the holiday stretch and see an upward trend in collections.

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Why Global Streaming Trends Are Redefining Bollywood's Box Office Strategy Bollywood
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Why Global Streaming Trends Are Redefining Bollywood's Box Office Strategy

Mumbai, November 13 - On a Friday morning in Mumbai, the first show once set the tone for the entire weekend. Trade analysts watched single-screen queues, early multiplex reports, and word of mouth outside the theatre gates. Today, a very different signal arrives alongside those numbers. Social media chatter from other continents, streaming charts, and snippets shared on short video platforms all weigh on how a film is judged. The Indian audience is no longer contained inside the country. Viewers scattered across time zones follow trailers, teasers, and interviews in real time. Many of them watch primarily through browsers and apps rather than theatre screens, and a large share use add-ons such as a browser-based VPN extension to keep their viewing and browsing habits private on shared or public connections. For studios, the important fact is not the tool itself but the growing reality that serious fans may first meet a film through a stream rather than a ticket stub. Audiences Who Discover Films Before Release Global streaming platforms have turned discovery into a permanent cycle. Older titles sit beside fresh releases, and a film that underperformed in its opening weekend can quietly build a second life in recommendations. Clips travel through fan accounts long before a new project hits theatres. By the time opening day arrives in India, overseas viewers may already feel familiar with the director, the leads, and even the music. For producers, this changes the calculation around risk. Songs, teaser scenes, and behind-the-scenes footage become tools to test response months ahead of release. Comments and completion rates tell you which tone lands and which pairing draws repeat plays. The launch is no longer a single event. It is the latest chapter in an ongoing digital conversation. Data That Talks Back To The Studio In the past, feedback arrived in the form of weekend collections and a handful of trade columns. Now platforms deliver granular insight. How many viewers finished the climax? Which scenes were paused or replayed? Where viewers dropped off entirely. This level of detail influences what kinds of stories are financed and how they are edited. Industry observers have started to track how these services are reshaping Indian entertainment. A concise streaming landscape report notes the rapid growth in digital subscriptions and the way audiences are shifting their attention. Box office figures still matter, but they are now read alongside hours watched and subscriber churn. When Streams Shape Scripts Writers and directors are increasingly aware that a large share of their audience watches at home, often on phones. This affects pacing and structure. Openings move faster. Hooks arrive earlier. Scenes are written with the expectation that a viewer might pause, rewind, or even abandon the film if engagement dips. Genres that travel well across borders, such as thrillers, grounded dramas, and visually rich spectacles, receive more interest from investors because they are easier to market on both big screens and streaming menus. At the same time, there is room for quieter stories that might never have survived a purely theatrical model but can find loyal niche audiences online. The New Role Of The Overseas Viewer For decades, the overseas market for Bollywood meant specific pockets of viewers in North America, the United Kingdom, and the Gulf. Tickets were expensive, showtimes limited, and word of mouth slower to build. With streaming, the overseas viewer can watch on the same day as friends back home or even earlier through staggered digital releases. These viewers can amplify or soften the buzz around a title. Positive response abroad can encourage fence sitters in India to give a film a chance in theatres or at least add it to a watchlist for later. In some cases international reception helps a film secure better deals for satellite and digital rights, which then feeds back into how confidently studios can plan future projects. What Box Office Still Means In This Mix Despite all the screens in living rooms and on phones, the theatrical release remains a powerful symbol. Big openings still validate stars, reassure distributors, and energise marketing teams. What has shifted is the understanding that box office is one of several important metrics rather than the single verdict. Producers now look at a more complete picture. Combined earnings from theatres, satellite rights, streaming licences, and long tail performance across libraries and bundles. A film that performs modestly at the domestic box office can still be a success once all those streams of revenue are counted. A Strategy That Looks Beyond Weekend Numbers Global streaming trends are not replacing cinema. They are teaching the industry to read the audience more closely. Bollywood is learning to think about stories over a longer horizon, to see value in sustained engagement rather than only in first weekend euphoria. The future box office strategy will belong to those who can balance spectacle with staying power and measure success both inside the hall and far beyond it.

Hari Hara Veera Mallu Day 4 Collection: Pawan Kalyan-starrer Tops 100 Crore Worldwide But Remains Underwhelming In The Opening Weekend Tollywood
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Hari Hara Veera Mallu Day 4 Collection: Pawan Kalyan-starrer Tops 100 Crore Worldwide But Remains Underwhelming In The Opening Weekend

Hyderabad, July 28 - Telugu superstar Pawan Kalyan"™s much-awaited period action drama Hari Hara Veera Mallu has officially crossed the 100 crore gross mark at the worldwide box office. However, despite hitting this major milestone, the film's performance over its extended four-day opening weekend has been widely regarded as underwhelming. ## Directed by Krish Jagarlamudi and A. M. Jyothi Krishna, the film was released amid massive hype and fan frenzy, which translated into a record-breaking opening day for the superstar. But the euphoria was short-lived. The movie started shrinking afterwards due to poor reviews and word of mouth. ## HHVM had all the makings of a blockbuster "” a mass hero in a grand avatar, period setting, wide promotions and a big opening, which ideally should have helped it to top the 100 crore mark on its second day itself, but that wasn't the case, as it took the complete 4-day extended weekend (plus paid premiere) to get there. ## While the film did register a slight upward trend on Saturday and Sunday, the sharp drop on Friday was too steep to recover from. This abrupt fall halted any chance of a stable box office trajectory. ## What Is Next For Hari Hara Veera Mallu? ## There were criticisms of the VFX and the runtime of the movie, which led to its downfall. The makers have reportedly uploaded the updated version in cinemas worldwide. However, the rebound seems extremely difficult from hereon, as the negative word of mouth has already spread all across. ## The weekday audience profile will shift significantly compared to the fan-dominated weekend crowd. Unless there's a miraculous word-of-mouth turnaround, it seems unlikely that Hari Hara Veera Mallu will be able to sustain enough momentum to reach its break-even mark of 225 crore worldwide gross. ## Stay tuned...

Prabhas 'The Raja Saab' Official Release Date Locked Tollywood
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Prabhas 'The Raja Saab' Official Release Date Locked

Hyderabad, June 3 - There is an official arrival date for Pan-India superstar Prabhas-fronted The Raja Saab, which is hugely awaited. ## Directed by Maruthi, the romantic horror comedy has been confirmed to hit the big screen on December 5, 2025, and the teaser will be launched on June 16. The movie was earlier supposed to release in April this year, but was delayed due to a pending shoot. ## The announcement of the release date and teaser was made on Tuesday, June 3, with a new poster. Stepping into uncharted territory, The Raja Saab marks Prabhas' first full-fledged horror entertainer. The new poster is sure to delight the actor's fans who desperately wanted to see him in the vintage avatar. ## Produced by People Media Factory, the movie also features Malavika Mohanan, Nidhhi Agerwal and Riddhi Kumar as the female leads while S. Thaman has composed the music. ## RAJA with a REBEL VIBE 😎#TheRajaSaab is set cover off a CURTAIN RAISER SHOW of a MOST ENTERTAINING Euphoria in the theatres 💥WORLDWIDE in cinemas from DEC 5th 🔥But before that TEASER EXPLOSION on JUNE 16 at 10:52 AM ❤️"ðŸ”¥#TheRajaSaabOnDec5th#Prabhas @DirectorMaruthi"¦ pic.twitter.com/4oVLchbMnC— People Media Factory (@peoplemediafcy) June 3, 2025 ## Stay tuned...

Varun Dhawan's 'Baby John' Opening Day Box Office Expectations Bollywood
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Varun Dhawan's 'Baby John' Opening Day Box Office Expectations

Mumbai, December 24 - After stealing hearts with romantic and comedy entertainers, Bollywood star Varun Dhawan is gearing up for the release of his first full-fledged actioner in the form of Baby John which is slated to hit the screens on December 25 on the occasion of Christmas. ## The film, directed by Tamil director Kalees, was easily one of the most anticipated Bollywood movies sometime back but the buzz has dipped for the last few weeks in the euphoria of Pushpa 2 - The Rule which is going great gun at the box office in Hindi. ## The advance booking of Baby John hasn't been on the expected lines but it has still managed to score a decent response with over 100K tickets sold for the opening day. As of 8 PM on December 24, the pre-sales gross for the opening is approximately 3.75 crores (including block seats) and the final advance sales heads for 4.50-5 crores gross. ## The pre-sales trend indicates the film's opening in the range of 10 crores gross, however, the Christmas holiday is expected to boost spot booking which can push the opening into the range of 13-15 crores. Pushpa 2 is the real challenge as it is dominating the mass pockets which is something Baby John also eyeing. There is also Hollywood Mufasa: The Lion King which has good pre-sales for December 25 in North belt. ## If there weren't the other two movies, Baby John could have easily aimed for a much higher opening as buzz for the movie was there to cash in the opportunity. At this point, an opening in the range of 13-15 crores looks more likely. If the projection holds, it can be called a decent start. ## Baby John will mostly depend on word of mouth and if it is positive, the film can really make up for the lost ground during the long weekend and New Year period as the genre of the film is something which has proved to be the ultimate king for the Indian movies for the last couple of years.## Stay tuned...

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Rohit Shetty Announces Re-Release of Superhit 'Singham' Bollywood
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Rohit Shetty Announces Re-Release of Superhit 'Singham'

Mumbai, October 11 - Maverick filmmaker Rohit Shetty and the team have announced the re-release of Ajay Devgn-starrer Singham (2011) ahead of the release of Singham Again which is scheduled for Diwali 2024 launch. ## Singham, which was the first movie in Shetty's Cop Universe, will be re-released in cinemas on October 18 across the country. Directed by Rohit Shetty, the movie also stars Kajal Aggarwal, Prakash Raj, Sonali Kulkarni, Sachin Khedekar, Govind Namdev, Ashok Saraf, and Murali Sharma, among others in key roles. ## A remake of the 2010 Tamil film of the same title by Hari, Singham was originally released in July 2011 and was a big box office success. The movie grossed 130 crores at the domestic box office and approximately 20.50 crores overseas for a worldwide total of 150+ crore. It was one of the highest-grossing Indian movies of the year. ## Singham Returns, the sequel was released in 2014 and bettered the box office performance over its predecessor by grossing over 200 crores worldwide. Now, after a decade, the third instalment and easily the biggest in the cop universe is gearing to storm the box office this Diwali on November 1st. ## BEFORE HE COMES WITH HIS FULL FORCE ON DIWALI!Experience how it all began againExperience the mass againExperience the euphoria againExperience #SINGHAM once more before #SINGHAMAGAIN!Re-Releasing in cinemas on 18th OCTOBER pic.twitter.com/YSKm2gsyxh— Reliance Entertainment (@RelianceEnt) October 11, 2024 ## Stay tuned...

Box Office: OMG 2 Opening Day/First Friday Early Estimates Bollywood
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Box Office: OMG 2 Opening Day/First Friday Early Estimates

Mumbai, August 11 - Akshay Kumar-starrer social comedy-drama film "OMG 2" has taken a decent start at the domestic box office. The major chunk of the opening day business of the movie has come through multiplexes as a large number of non-multiplex chains allotted to "Gadar 2" which is running riot at the box office. ## As per the early estimates, "OMG 2" is looking to score in the range of 9.50 crores net with an outside chance of hitting a double-digit mark depending on how strong smaller centers are. The opening of 9.50 crores net is in the expected lines as the movie didn't have the initial advantage due to "Gadar 2" euphoria.## "OMG 2" took a decent start in the morning and showed a jump in the evening and night shows, thanks to the super positive word of mouth. The movie is now in a better position to score over the Independence Day week than where it was standing before release.## The advance booking of the movie for the second day is much better which shows that word of mouth coming into play. The movie should score a healthy jump tomorrow and Sunday before carrying the momentum till Independence Day. The early trend is positive and the movie could emerge as a much-needed box-office success for Akshay Kumar.## Stay tuned...

Superstar Shah Rukh Khan's 'Jawan' and 'Dunki' Non-Theatrical Rights Sold At Record Price Bollywood
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Superstar Shah Rukh Khan's 'Jawan' and 'Dunki' Non-Theatrical Rights Sold At Record Price

Mumbai, July 5 - Bollywood superstar Shah Rukh Khan's popularity is at an all-time high after his historic comeback with Yash Raj Films' "Pathaan". This Siddharth Anand's directorial grossed more than 1000 crores at the worldwide box office and made SRK only the second Bollywood actor after Aamir Khan to reach the rare box office mark. ## Shah Rukh Khan's next two films "Jawan" and "Dunki" are the most-anticipated Bollywood films and according to the reports, both films are in red hot demand in the trade. According to Pinkvilla, SRK's Red Chillies Entertainment, which has produced both movies, has sold the non-theatrical rights for a record price. ## "It's Shah Rukh Khan v/s Shah Rukh Khan now as the top two non-theatrical deals of all time are under the name of King Khan. While the digital, satellite, and music rights of Jawan are sold for approximately Rs 250 crore, the same for Dunki is around Rs 230 crore", the report states. ## "Jawan", directed by Atlee, will also be released in Tamil and Telugu which is the reason it scored a higher deal in non-theatrical rights while Rajkumar Hirani's "Dunki" is an exclusive Hindi release as of now. "There are some non-theatrical deals which are still getting locked and the eventual total non-theatrical revenue for two films will be close to Rs 500 crore", the website further reports.## As said, the global stardom of SRK, especially after the "Pathaan" euphoria, has resulted in such massive pre-release numbers. "Jawan", which also stars Nayanthara and Vijay Sethupathi in prominent roles, is scheduled to release on September 7 while Hirani's "Dunki" is slated for Christmas weekend this year. ## Stay tuned...