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Jana Nayagan Release: Makers Approach Supreme Court Amid Censor Certificate Delay For Vijay's Swan Song Kollywood
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Jana Nayagan Release: Makers Approach Supreme Court Amid Censor Certificate Delay For Vijay's Swan Song

Chennai, January 12 - The makers of Thalapathy Vijay-starrer Jana Nayagan have approached the Supreme Court after the film's release was stalled due to a delay in obtaining its censor certificate. The political actioner, widely touted as the actor's swan song before his full-time political entry, has been caught in a legal tussle after the Central Board of Film Certification (CBFC) withheld certification following objections that led to a revising committee review. (adsbygoogle = window.adsbygoogle || []).push({}) Earlier, the Madras High Court had directed the CBFC to grant the film a U/A certificate, a move that briefly cleared the path for release. However, the relief was short-lived as the CBFC challenged the order, which subsequently stayed the High Court's single judge directive. With the stay in place, the makers were left with no option but to move the apex court, seeking an urgent hearing to resolve the impasse. As a result, Jana Nayagan, which was expected to hit screens during the lucrative Pongal window on January 9, now faces an indefinite delay. The situation has caused disappointment among fans, given the emotional significance of the film as Vijay's final cinematic outing, and has also sparked wider debate around certification delays and their impact on big-ticket releases. Directed by H Vinoth and produced by KVN Productions, Jana Nayagan is the remake of the Telugu film Bhagwanth Kesari. It also stars Poorja Hegde, Bobby Deol (Tamil debut), and Mamitha Baiju, among many others, in key roles. As the film's future continues to remain uncertain, all eyes are now on the Supreme Court's directive. Stay tuned...

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Dhurandhar Box Office: Ranveer Singh Starrer Challenges Stree 2 for #1 Spot; Beats Jawan and Uri in Just 3 Days of 6th Week Bollywood
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Dhurandhar Box Office: Ranveer Singh Starrer Challenges Stree 2 for #1 Spot; Beats Jawan and Uri in Just 3 Days of 6th Week

Ranveer Singh's Dhurandhar continues to be an unstoppable force at the Hindi box office. As it enters its sixth week, the film is demonstrating unprecedented theatrical stamina. While the 6th week is still in progress, the collections from the first three days alone have sent shockwaves through the industry, placing the film among the top three highest 6th-week grossers of all time already. The true scale of Dhurandhar's success is visible when comparing its 6th weekend (3 days) to the full 6th-week (7 days) totals of other legendary hits. In just Friday, Saturday, and Sunday, Dhurandhar has collected a massive ₹15.4 Crores. With this 3-day total, it has already comfortably surpassed the full-week collections of Uri: The Surgical Strike (₹11.59 Cr), Jawan (₹10.59 Cr), and Pushpa 2 (₹7.96 Cr). Currently, it stands at Rank #3, trailing only behind Stree 2 and Chhaava. Dhurandhar 6th Weekend Breakdown: 6th Friday (Day 36): ₹3.5 Cr 6th Saturday (Day 37): ₹5.75 Cr (64% jump) 6th Sunday (Day 38): ₹6.15 Cr Total (3 Days): ₹15.40 Cr With four days (Monday to Thursday) still remaining in its 6th week, Dhurandhar is mathematically positioned to take the #1 spot. It currently needs only ₹0.16 Cr to overtake Chhaava for the #2 spot and roughly ₹3.21 Cr to surpass Stree 2's all-time record of ₹18.60 Cr. Given the current trend and strong occupancy, it is widely expected that by the end of its 42nd day, Dhurandhar will emerge as the new all-time record holder for the highest 6th week in Hindi cinema history. Top 10 Highest 6th Week Hindi Nett CollectionsRANKMOVIE NAME6TH WEEK NETT (HINDI)1Stree 2 (2024)₹ 18.60 Cr2Chhaava (2025)₹ 15.55 Cr3Dhurandhar (2025)₹ 15.40 Cr (Only 3 Days)4Uri: The Surgical Strike₹ 11.59 Cr5Jawan₹ 10.59 Cr6Pathaan₹ 8.85 Cr7Pushpa 2: The Rule₹ 7.96 Cr8Drishyam 2₹ 6.03 Cr9Gadar - Ek Prem Katha₹ 6.01 Cr10Pushpa: The Rise₹ 5.9 Cr The fact that Dhurandhar is even being compared to the full-week totals of Stree 2 and Chhaava while only having three days of data is a testament to its incredible pull. Much like Gadar or Uri, this film has found a permanent place in the hearts of the audience, with repeat viewings fueling its late-run surge. If the weekday holds remain steady, Dhurandhar is not just looking to break the record—it is looking to set a new one in the ₹21-22 Crore range.

Avatar Fire and Ash Box Office: James Cameron's Film Tops $1.20+ Billion Worldwide; Heads For 250 Crore Finish In India Hollywood
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Avatar Fire and Ash Box Office: James Cameron's Film Tops $1.20+ Billion Worldwide; Heads For 250 Crore Finish In India

Mumbai, January 12 - James Cameron's Avatar: Fire and Ash continues its dominant run at the global box office, topping the $1.23 billion mark through the 4th weekend. The sci-fi spectacle has once again proven the unmatched big screen appeal of the Avatar franchise, emerging as one of the biggest global releases of 2025. In North America, the third instalment in the Avatar franchise continues to put up good hold, hitting $343 million so far. While the numbers are lower than The Way of Water, the sustained weekend holds underline solid audience interest and premium format demand across the US and Canada. (adsbygoogle = window.adsbygoogle || []).push({}) International markets have driven the film's big global total, with overseas collections now standing at $888 million. China remains the largest market outside North America, with $150 million, followed by France ($91.7 million) and Germany ($73.7 million). In India, Avatar 3 has performed steadily despite strong competition from local releases. The film has already grossed around 225 crore ($25 million) by the end of its 4th weekend, making it the 10th biggest international market for the film. It is heading towards finishing around 250 crores in India as one of the biggest Hollywood grossers in the country. Avatar 3 is projected to finish its run with $420+ million at the domestic box office, and $1.5+ billion globally. The previous two Avatar movies went on to top $2 billion globally, and even though the third film is unlikely to breach that milestone, it is still a mega hit for Disney. Stay tuned...

The Raja Saab Box Office: Prabhas Starrer Crosses ₹100 Crore India Net in Opening Weekend; Tollywood
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The Raja Saab Box Office: Prabhas Starrer Crosses ₹100 Crore India Net in Opening Weekend;

Prabhas' latest release, The Raja Saab, crossed the ₹100 Crore India Net milestone over its first weekend, but the numbers highlight a concerning trajectory for the high-budget project. While the film collected a total India Net of ₹108.00 Cr (₹129.20 Cr Gross) in three days, the performance was heavily front-loaded and driven primarily by the opening day rush. The daily collection reports indicate a steady downward trend, suggesting that the film is struggling to sustain momentum beyond its core fanbase. The Telugu version remains the primary engine for the film's success, contributing a massive ₹91 Cr to the total India Net. After a solid Day 0 (Premiere) showing of ₹9.15 Cr, the film witnessed a thunderous Day 1 with ₹47 Cr. However, the subsequent days saw a sharp decline; collections dropped to ₹20.65 Cr on Day 2 and further slid to ₹14.2 Cr on Day 3 (Sunday). The absence of a Sunday jump in the home territory is a notable concern, indicating that the film is struggling to find momentum beyond the core fanbase. In the Hindi market, The Raja Saab recorded a total weekend net of ₹15.75 Cr. The film started with ₹6 Cr on Friday, followed by ₹5.1 Cr on Saturday, and concluded the weekend with ₹4.65 Cr on Sunday. Similar to the Telugu version, the Hindi market failed to show any growth on the weekend's final day, signaling that the horror-comedy genre might not be resonating as strongly with the North audience as his previous action spectacles. Meanwhile, the film faced significant challenges in other regional markets, with Tamil (₹0.85 Cr), Kannada (₹0.23 Cr), and Malayalam (₹0.17 Cr) contributing less than 2% to the total domestic net. (adsbygoogle = window.adsbygoogle || []).push({})   On the global stage, The Raja Saab managed a Worldwide Gross of ₹161.00 Cr in its first three days. The overseas market contributed a steady ₹31.80 Cr ($3.8M approx), which helped bolster the total gross. While these numbers are statistically high, they remain slightly behind the opening weekend benchmarks set by Prabhas' previous blockbusters like Kalki 2898 AD or Salaar, largely due to the film's niche genre and the mixed reception from general audiences. Looking ahead, The Raja Saab faces a steep climb to justify its massive reported budget of ₹300–400 Crores. While reaching the ₹100 Crore India Net milestone is a feat reserved for elite superstars, the persistent downward trend and the absence of a typical Sunday surge have significantly dampened the initial hype. When measured against the astronomical benchmarks set by Prabhas' previous blockbusters like Kalki 2898 AD and Salaar, this performance appears muted, suggesting that the horror-comedy concept has struggled to achieve the event film status required for such high stakes. Ultimately, the film's commercial survival now hinges entirely on its weekday sustainability; unless it stabilizes immediately, it faces an uphill battle to recover its heavy investment.

MSVPG Box Office: Anil Ravipudi’s 9-0 Streak; Chiranjeevi Starrer Takes a Huge Start with ₹35 Cr+ Pre-Sales Tollywood
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MSVPG Box Office: Anil Ravipudi’s 9-0 Streak; Chiranjeevi Starrer Takes a Huge Start with ₹35 Cr+ Pre-Sales

Director Anil Ravipudi has maintained a flawless track record with his latest release, Mana Shankara Vara Prasad Garu (MSVPG). This marks his 9th consecutive box office success since his debut, a rare milestone in the Indian film industry. By delivering nine hits in a row without a single failure, Ravipudi has established a level of consistency that remains unmatched by his contemporary filmmakers. Anil Ravipudi's journey began with the high-energy action-comedy Pataas (2015), which immediately established his knack for commercial success, collecting approximately ₹15.5 Cr India Net and earning a Super Hit verdict. He maintained this momentum with Supreme (2016), which garnered ₹25 Cr India Net, followed by the innovative blind-action thriller Raja The Great (2017). The latter amassed ₹31.10 Cr India Net (₹52 Cr Worldwide Gross), marking his superhit and proving his ability to handle unique concepts within the commercial format. The director reached a new echelon of stardom with the 2019 comedy riot F2: Fun and Frustration. The film became a Blockbuster, collecting a staggering ₹98.5 Cr India Net and crossing the ₹137 Cr mark globally. This phenomenal success paved the way for his collaboration with Mahesh Babu in Sarileru Neekevvaru (2020). Releasing during the Sankranthi window, the film dominated the box office with ₹169.55 Cr India Net and a massive ₹221 Cr Worldwide Gross, solidifying Ravipudi's reputation as the Sankranthi Specialist. Even with the challenges of the post-pandemic market, Ravipudi's 100% Success Rate remained intact. He delivered F3: Fun and Frustration (2022), which earned ₹67.34 Cr India Net (₹90 Cr Worldwide Gross), followed by the career-defining Bhagavanth Kesari (2023). Starring Nandamuri Balakrishna, this film not only collected ₹84.78 Cr India Net (₹114.5 Cr Worldwide Gross) but also won the National Film Award for Best Telugu Film, elevating Ravipudi from a commercial filmmaker to a critically acclaimed director. The streak continued into 2025 with Sankranthiki Vasthunnam, a Blockbuster that collected over ₹ 186.97 Cr India Net and ₹255.48 Cr Worldwide Gross. Now, Ravipudi has reached the pinnacle of his career by directing Megastar Chiranjeevi in Mana Shankara Vara Prasad Garu (MSVPG). With premiere grosses already touching ₹9.02 Cr and worldwide Day 1 pre-sales exceeding ₹35 Cr, this film is not just another project; it is a monumental spectacle that cements his 9-0 success streak and delivers one of the biggest box office starts in the Megastar's storied career (adsbygoogle = window.adsbygoogle || []).push({})   The highly anticipated collaboration between the industry's Hit Machine, Anil Ravipudi, and the Megastar, Chiranjeevi, has ignited the box office with an explosive start. Following a series of extensive premiere shows held yesterday, Mana Shankara Vara Prasad Garu (MSVPG) delivered a massive statement, raking in a total premiere gross of ₹9.02 Crores. This thunderous opening is backed by overwhelmingly positive feedback from early audiences, setting a powerful tone for the film's theatrical journey. Diving into the territory-wise breakdown, the film's dominance in the Telugu states was absolute, where it amassed a combined ₹7.86 Crores. The Nizam region contributed a solid ₹2.58 Crores from just 201 shows, while Andhra Pradesh led the charge with a massive ₹5.28 Crores across 459 shows. Beyond its home turf, the film also made a significant mark in Karnataka, adding ₹1.16 Crores to the total gross. The premiere occupancy, particularly in Andhra Pradesh, was exceptionally high as fans throned theaters in record numbers to witness Chiranjeevi in a character that pays a grand, nostalgic homage to his legendary real-life name. Mana Shankara Vara Prasad Garu is looking at a monumental Day 1. The film has already recorded ₹35 Crore+ Gross in worldwide pre-sales (including premiere shows). With the Sankranthi festive fever kicking in and the positive word-of-mouth from premieres, the Day 1 global gross is estimated to touch the ₹65–70 Crore mark. If these numbers hold, it will rank among the biggest opening days in the Megastar's legendary career, firmly placing it alongside his elite list of high-grossing blockbusters The data suggests that the Boss is Back in his most powerful form. By combining Anil Ravipudi's knack for family-friendly commercial beats with Chiranjeevi's unmatched charisma, MSVPG has secured its status as a winner on Day 1 itself. For Anil Ravipudi, this isn't just another hit; it is the 9th jewel in his crown, proving that he truly is The Man with the Midas touch in Telugu cinema.

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Chiranjeevi's Mana Shankara Vara Prasad Garu Pre-Release Business and Break-Even Target Tollywood
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Chiranjeevi's Mana Shankara Vara Prasad Garu Pre-Release Business and Break-Even Target

Hyderabad, January 12 - Megastar Chiranjeevi teamed up with director Anil Ravipudi for the first time for a comedy entertainer Mana Shankara Vara Prasad Garu. The film has been building steady buzz, leading to its premiere, where it scored one of the biggest premiere grosses for an Indian film. The buzz for the movie is palpable, which led to big pre-release business worldwide. According to the trade report, the film managed to fetch 105 crore pre-release business in the Telugu states, including 55 crore in Andhra Pradesh and around 50 crores in Telangana. The overall worldwide pre-release theatrical business of the film is in the range of 120 crores, which means the film will need around 225 crores worldwide to break even. This is said to be a reasonable business given how Chiranjeevi's last few films have performed at the box office. (adsbygoogle = window.adsbygoogle || []).push({}) MSVPG will score 1/4 of its total business on its opening day itself, and with positive word of mouth, it can easily recover this over the Sankranthi holiday period and emerge as a clean hit. There is, however, intense competition, especially in Telugu states, with multiple films hitting the big screens at the same time. Sankranthi has been a lucrative period for Telugu movies at the box office, and more often than not, multiple films get released during this period. This year, Prabhas' The Raja Saab (January 9), along with Ravi Teja's Bhartha Mahasayulaku Wignyapthi (January 13), and family entertainer Anaganaga Oka Raju (January 14), are scheduled. Stay tuned...

Mana Shankara Vara Prasad Garu Advance Booking: Chiranjeevi's Action Comedy Scores 35 Crore Worldwide Pre-Sales For Day 1 Tollywood
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Mana Shankara Vara Prasad Garu Advance Booking: Chiranjeevi's Action Comedy Scores 35 Crore Worldwide Pre-Sales For Day 1

Hyderabad, January 11 - Megastar Chiranjeevi's much-awaited Sankranthi entertainer Mana Shankara Vara Prasad Garu is all set for a strong start at the worldwide box office after solid advance booking. The film has recorded 35+ crore gross in worldwide pre-sales for Day 1, including premiere shows. Despite a late start, booking opened to a good response across domestic circuits as well as overseas markets, with premiere shows contributing significantly to the total. The festive release window, combined with Chiranjeevi's star power and Anil Ravipudi's commercial storytelling, has driven strong demand, especially in Telugu-speaking regions and the US. (adsbygoogle = window.adsbygoogle || []).push({}) The domestic premiere witnessed sold-out shows with pre-sales hitting 9+ crores, while overall opening day sales topped 24 crores in India and around 11+ crores overseas. The robust booking numbers place Mana Shankara Vara Prasad Garu among the strongest pre-release openers in Chiranjeevi's recent filmography. With such solid momentum going into release, all eyes are now on the film's opening day collections, as Mana Shankara Vara Prasad Garu, which also stars Nayanthara and Venkatesh Daggubati, looks set for a big Sankranthi box office run. Stay tuned...

The Raja Saab Box Office Day 2: Prabhas's Stardom Drives Solid Momentum on Day 2 as Early Estimates Signal Global Success Tollywood
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The Raja Saab Box Office Day 2: Prabhas's Stardom Drives Solid Momentum on Day 2 as Early Estimates Signal Global Success

Prabhas latest outing, The Raja Saab, directed by Maruthi, has continued its steady run at the box office, successfully crossing the coveted ₹100 crore mark globally within just two days of its release.Following a massive opening on Friday, January 9, 2026, the film maintained its momentum on Day 2 (Saturday), though it experienced a standard drop following the initial premiere craze. After a solid performance on Saturday, the film's total India Net collection now stands at ₹89 crore. This cumulative total includes the ₹26 crore earned on Day 2, combined with the massive ₹53.75 crore from Day 1 and the ₹9.15 crore from the premieres. The Telugu version remains the primary driver, contributing ₹21.50 crore on Saturday alone, bringing its total Telugu net to ₹76.75 crore. The Hindi market also showed a decent hold, contributing ₹5 crore on Day 2 for a two-day total of ₹11 crore. On the global front, The Raja Saab has already amassed a Worldwide Gross of ₹135 crore. This includes a strong overseas performance which has contributed approximately ₹28.50 crore to the total gross. With these numbers, the film has officially become the first Indian film of 2026 to join the 100-crore club and marks Prabhas's sixth film to achieve a ₹100 crore+ opening worldwide, a historic feat in Indian cinema. (adsbygoogle = window.adsbygoogle || []).push({})   The word-of-mouth for the film remains highly polarized.While fans are celebrating Prabhas's vintage energy, his comedic timing, and his dual-shaded performance, critics have raised concerns regarding the film's slow pacing in the first half and the quality of the VFX.Reports suggest that in response to audience feedback, director Maruthi has already begun implementing minor trims and adding a few old look scenes of Prabhas to enhance the theatrical experience. Despite the divided reviews, The film has set a new record as the highest worldwide gross opener in the horror-comedy genre for Indian cinema, surpassing previous blockbusters like Stree 2. As the film enters the crucial Sunday and the upcoming festive Sankranthi week, its ability to sustain these numbers will depend heavily on family audiences and repeat walk-ins. Currently, the Rebel Star's unmatched stardom continues to pull massive crowds, especially across the Telugu states and major metropolitan centers.

The Raja Saab Box Office Worldwide: Prabhas-Starrer Horror-Comedy Clocks 100 Crore Opening Tollywood
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The Raja Saab Box Office Worldwide: Prabhas-Starrer Horror-Comedy Clocks 100 Crore Opening

Hyderabad, January 9 - Pan-India superstar Prabhas has once again muscled his star power with his latest romantic horror comedy The Raja Saab, which has taken an excellent opening of nearly 100 crores gross at the worldwide box office, despite mixed to negative reviews and word of mouth. Directed by Maruthi, The Raja Saab has clocked an estimated 75 gross in India, depending on the offline shows. The domestic start is once again led by the Telugu states, where the movie has grossed over 55 crores, including the premiere collection of over 8 crores. At the Overseas box office, the film is looking to collect in the 25-30 crores range, for the worldwide opening day gross of 100+ crores. With this, it has become the first 100 crores Indian grosser of 2026, and the 6th film of Prabhas to do so. (adsbygoogle = window.adsbygoogle || []).push({}) The Raja Saab had collected over 50 crores gross in its worldwide pre-sales for the opening day. The numbers could have been higher had the bookings been opened much earlier in India. Still, the advance sales were solid, despite falling short of Prabhas' recent films, such as Kalki 2898 AD and Salaar. As said, the opening of The Raja Saab was purely possible due to the stardom of Prabhas, especially since the initial word of mouth was not looking good after the poor critics' reviews. The advances for tomorrow are decent, given the reception, which indicates a decent hold. It needs to be seen how the movie fares over the Sankranthi festive weekend, which is crucial. Stay tuned...

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Allu Arjun and Lokesh Kanagaraj To Collaborate? Reports Suggest A Massive Pan-India Project Under Mythri Movie Makers Tollywood
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Allu Arjun and Lokesh Kanagaraj To Collaborate? Reports Suggest A Massive Pan-India Project Under Mythri Movie Makers

The Indian film industry is abuzz with reports of a monumental collaboration that could redefine the Pan-India landscape. According to latest industry buzz, Icon Star Allu Arjun is set to join forces with the master of gritty action cinema, Lokesh Kanagaraj. The project is reportedly backed by the prestigious Mythri Movie Makers. While fans eagerly await an official announcement ,the reported timeline suggests a massive year ahead for the Icon Star. Allu Arjun is set to resume work next week to wrap up his highly anticipated project with director Atlee, with a target to finish by October 2026. Following this, and after a brief scheduled break, the actor is expected to transition into Lokesh Kanagaraj's world. Allu Arjun has evolved from a premier Telugu superstar into a global icon, a transition accelerated by the historic success of the Pushpa franchise. His unique ability to command massive box office numbers in the Hindi belt and international markets has cemented his status as one of the most bankable stars in India today. With his current market value at an all-time high, any project he attaches himself to becomes an immediate must-watch event for audiences and a high-stakes venture for distributors. His journey to the top is backed by years of consistent box office dominance. Even before his pan-India breakthrough, the Icon Star delivered massive hits such as Ala Vaikunthapurramuloo (2020), which amassed approximately ₹269 crore worldwide and became one of the highest-grossing Telugu films of its time. This reliability was established much earlier with commercial blockbusters like Sarrainodu (2016) and Duvvada Jagannadham (2017), both of which comfortably crossed the ₹100 crore gross mark, proving his immense pull long before the current pan-India era. (adsbygoogle = window.adsbygoogle || []).push({})   However, it was Pushpa: The Rise (2021) that truly redefined his career trajectory. The film grossed over ₹350 crore worldwide, but its most significant feat was the performance of the Hindi-dubbed version. By contributing nearly ₹106 crore net from the Hindi belt alone, the film proved that Allu Arjun's appeal transcends language barriers. As Pushpa 2: The Rule continues to track for record-breaking opening numbers in 2026, his collaboration with visionary directors like Lokesh Kanagaraj is poised to set new benchmarks for Indian cinema. In the modern era of Indian cinema, Lokesh Kanagaraj has established himself as a formidable brand, distinguished by his visionary Lokesh Cinematic Universe (LCU) and a signature style of high-stakes, gritty action storytelling.He is one of the rare filmmakers today whose name alone acts as a massive pull for audiences, capable of guaranteeing a record-breaking opening at the box office regardless of the star cast. His ability to blend technical brilliance with commercial sensibilities has made him a favorite among both critics and trade analysts. The director's recent track record is a testament to his unmatched box office dominance. His 2023 blockbuster, Leo, shattered multiple records to gross over ₹605 crore worldwide, cementing its position as one of the highest-grossing Tamil films of all time. This followed the monumental success of Vikram (2022), which revitalized the box office for legend Kamal Haasan by collecting over ₹414 crore globally.Even during the challenging pandemic period, his film Master (2021) managed to gross ₹223 crore worldwide ,despite 50% occupancy restrictions in many regions, proving that his storytelling resonates deeply even under adverse conditions. While Lokesh has primarily operated within the heart of Kollywood (Tamil cinema), collaborating with icons like Thalapathy Vijay and Kamal Haasan, his reported upcoming project with Allu Arjun (AA23) marks a historic shift in his career. This venture—rumored to be his long-cherished sci-fi dream project Irumbu Kai Mayavi—will be his first direct collaboration with a Telugu superstar in a primary lead role. While his dubbed films have consistently performed exceptionally well in the Telugu-speaking states, this project signifies his official foray into directing a hero from outside the Tamil industry. This move is expected to further expand his creative footprint, bridging the gap between the southern industries and the northern belts to create a truly national cinematic event.

The Raja Saab Advance Booking: Prabhas-Starrer Clocks 50+ Crore Worldwide Pre-Sales For Opening Day Without Telangana Tollywood
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The Raja Saab Advance Booking: Prabhas-Starrer Clocks 50+ Crore Worldwide Pre-Sales For Opening Day Without Telangana

Hyderabad, January 8 - Pan India superstar Prabhas-fronted The Raja Saab has excellent pre-sales at the worldwide box office for the opening day, despite a late start and without a key territory, Telangana. The romantic horror-comedy has crossed 50 crore in worldwide pre-sales, which is superb. Advance bookings of the film, especially in Andhra Pradesh, are superb, driven by premiere sales which are 10+ crore. Overseas markets too have seen good momentum on the last day and clocked nearly 22 crores in sales for day 1+premieres. (adsbygoogle = window.adsbygoogle || []).push({}) The achievement becomes even more remarkable as Telangana remains excluded due to ticket pricing and regulatory issues. The pre-sales, however, are not that good in the Hindi belt, which has deliverd consistant good results for past Prabhas-starrers. Directed by Maruthi, The Raja Saab marks Prabhas' return to a fun, mass-friendly genre blending romance, horror, and comedy. With bookings closing on a strong note, expectations are high for a huge opening day worldwide, as the film heads into release backed by solid momentum and strong audience anticipation. Stay tuned...

Crisis in Kollywood: Structural Shifts, OTT Market Corrections, and the Vacuum of Thalapathy Vijay's Retirement Kollywood
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Crisis in Kollywood: Structural Shifts, OTT Market Corrections, and the Vacuum of Thalapathy Vijay's Retirement

The Tamil film industry, once the pioneer of the Pan-India wave, is currently facing a series of structural challenges. As 2025 draws to a close and the 2026 festival season kicks off with the postponement of Jana Nayagan, industry analysts are pointing toward a deeper crisis involving rising costs, shifting audience habits, and a massive power vacuum in the making. Thalapathy Vijay's transition into full-time politics following the release of Jana Nayagan is the most significant economic blow to the industry in recent years.According to theatre owners, Vijay's retirement is expected to result in a potential yearly loss of ₹10-20 Lakhs in revenue, a figure that sustains many small-scale exhibitors through leaner months. Vijay has been the primary driver for theater occupancy in Tamil Nadu, particularly in B and C centers, where his films consistently guaranteed footfalls regardless of critical reception. With his departure, exhibitors—who are already struggling with a lack of consistent hits in 2025—fear a permanent decline in the mass movie culture that has sustained single screens for decades. The digital and satellite marketplace is currently undergoing a significant bubble burst,marking a sharp correction in how Southern content is valued. Recent reports suggest that major OTT players have slashed their acquisition prices by 40% to 50% compared to 2024 levels. This shift reflects a move away from the aggressive, high-value bidding wars that characterized the post-pandemic era, as streaming platforms now prioritize sustainable returns over mere library expansion. (adsbygoogle = window.adsbygoogle || []).push({})   This market correction has created a growing disparity between skyrocketing star salaries and the actual return on investment (ROI). While top-tier stars like Vijay, Ajith Kumar, and Rajinikanth continue to command remunerations between ₹150 crore and ₹250 crore, OTT buyers are no longer willing to pay inflated premiums. Platforms are increasingly demanding guaranteed Pan-India performance and proven theatrical footfalls before committing to high-value digital rights. Compounding these financial pressures is a deepening conflict between exhibitors and producers over the theatrical release window. Theater owners are advocating for a strict eight-week exclusive theatrical window starting in 2026 to protect the revenue of single screens and B&C centers. This demand has created significant friction with streaming partners, who typically favor a four-week window to capitalize on digital marketing momentum, further complicating the revenue models for upcoming big-budget releases. The postponement of Jana Nayagan—reportedly due to censor issues is a symptom of an industry in transition. As Kollywood prepares for a post-Vijay era, the focus is shifting toward content over stardom and Pan-India collaboration to survive the ongoing financial correction.