Venu

Venu

🎂
Date of Birth
Jan 26, 1957
📅
Age
68 Years
🎬
Known For
Indian Cinema
Director Cinematographer

Career Stats

Total Movies 2
Debut Year N/A
Awards Won Coming Soon
Box Office ₹11 Cr
💰

Box Office Summary

🏆
₹11 Cr
Ekka
💎
0
1000+ Cr Movies
💎
0
500+ Cr Movies
💎
0
200+ Cr Movies
💎
0
100+ Cr Movies
🎬

Recent Movies

Ekka
Ekka
Action, Thriller
Jul 2025
Telugu, Hindi, Tamil, Kannada, Malayalam
Munnariyippu
Munnariyippu
Action, Thriller
Aug 2014
Telugu, Hindi, Tamil, Kannada, Malayalam

Related News & Articles

Why Global Streaming Trends Are Redefining Bollywood's Box Office Strategy Bollywood
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Why Global Streaming Trends Are Redefining Bollywood's Box Office Strategy

Mumbai, November 13 - On a Friday morning in Mumbai, the first show once set the tone for the entire weekend. Trade analysts watched single-screen queues, early multiplex reports, and word of mouth outside the theatre gates. Today, a very different signal arrives alongside those numbers. Social media chatter from other continents, streaming charts, and snippets shared on short video platforms all weigh on how a film is judged. The Indian audience is no longer contained inside the country. Viewers scattered across time zones follow trailers, teasers, and interviews in real time. Many of them watch primarily through browsers and apps rather than theatre screens, and a large share use add-ons such as a browser-based VPN extension to keep their viewing and browsing habits private on shared or public connections. For studios, the important fact is not the tool itself but the growing reality that serious fans may first meet a film through a stream rather than a ticket stub. Audiences Who Discover Films Before Release Global streaming platforms have turned discovery into a permanent cycle. Older titles sit beside fresh releases, and a film that underperformed in its opening weekend can quietly build a second life in recommendations. Clips travel through fan accounts long before a new project hits theatres. By the time opening day arrives in India, overseas viewers may already feel familiar with the director, the leads, and even the music. For producers, this changes the calculation around risk. Songs, teaser scenes, and behind-the-scenes footage become tools to test response months ahead of release. Comments and completion rates tell you which tone lands and which pairing draws repeat plays. The launch is no longer a single event. It is the latest chapter in an ongoing digital conversation. Data That Talks Back To The Studio In the past, feedback arrived in the form of weekend collections and a handful of trade columns. Now platforms deliver granular insight. How many viewers finished the climax? Which scenes were paused or replayed? Where viewers dropped off entirely. This level of detail influences what kinds of stories are financed and how they are edited. Industry observers have started to track how these services are reshaping Indian entertainment. A concise streaming landscape report notes the rapid growth in digital subscriptions and the way audiences are shifting their attention. Box office figures still matter, but they are now read alongside hours watched and subscriber churn. When Streams Shape Scripts Writers and directors are increasingly aware that a large share of their audience watches at home, often on phones. This affects pacing and structure. Openings move faster. Hooks arrive earlier. Scenes are written with the expectation that a viewer might pause, rewind, or even abandon the film if engagement dips. Genres that travel well across borders, such as thrillers, grounded dramas, and visually rich spectacles, receive more interest from investors because they are easier to market on both big screens and streaming menus. At the same time, there is room for quieter stories that might never have survived a purely theatrical model but can find loyal niche audiences online. The New Role Of The Overseas Viewer For decades, the overseas market for Bollywood meant specific pockets of viewers in North America, the United Kingdom, and the Gulf. Tickets were expensive, showtimes limited, and word of mouth slower to build. With streaming, the overseas viewer can watch on the same day as friends back home or even earlier through staggered digital releases. These viewers can amplify or soften the buzz around a title. Positive response abroad can encourage fence sitters in India to give a film a chance in theatres or at least add it to a watchlist for later. In some cases international reception helps a film secure better deals for satellite and digital rights, which then feeds back into how confidently studios can plan future projects. What Box Office Still Means In This Mix Despite all the screens in living rooms and on phones, the theatrical release remains a powerful symbol. Big openings still validate stars, reassure distributors, and energise marketing teams. What has shifted is the understanding that box office is one of several important metrics rather than the single verdict. Producers now look at a more complete picture. Combined earnings from theatres, satellite rights, streaming licences, and long tail performance across libraries and bundles. A film that performs modestly at the domestic box office can still be a success once all those streams of revenue are counted. A Strategy That Looks Beyond Weekend Numbers Global streaming trends are not replacing cinema. They are teaching the industry to read the audience more closely. Bollywood is learning to think about stories over a longer horizon, to see value in sustained engagement rather than only in first weekend euphoria. The future box office strategy will belong to those who can balance spectacle with staying power and measure success both inside the hall and far beyond it.

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Major Shake-Up in Tamil Cinema: TFPC Proposes Profit-Sharing Model For Top Stars, OTT Reforms, and Unified Ticketing System Kollywood
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Major Shake-Up in Tamil Cinema: TFPC Proposes Profit-Sharing Model For Top Stars, OTT Reforms, and Unified Ticketing System

Chennai, November 10 - The Tamil Film Producers Council (TFPC) introduced a series of resolutions aimed at bringing greater balance, transparency, and sustainability to the Tamil film industry in a landmark meeting held recently. These measures, if implemented, could significantly reshape production, distribution, and exhibition dynamics in Kollywood. Profit-Sharing Model Introduced In a move set to cut down the budget in Tamil cinema, the TFPC has proposed that leading actors and top technicians will no longer receive full remuneration upfront. Instead, they will adopt a profit-and-loss sharing model with producers, something some of the actors are already doing across industries. This change is intended to ensure accountability and encourage collaborative risk-taking, allowing everyone involved to benefit from a film's success"”or share responsibility in case of losses. Revised OTT Streaming Window The short theatrical window for Tamil films has been a major concern for the exhibition sector. The council has also proposed a new structure for OTT release timelines, introducing tiered streaming windows based on film scale: Big-star films: 8 weeks; Mid-range films: 6 weeks; and Smaller films: 4 weeks. This revision in the OTT window seeks to strike a balance between theatrical revenues and digital demand, offering theatres a fairer window while accommodating changing viewing habits. Call for Official Ticketing Platform Addressing long-standing concerns over online ticketing service charges and lack of transparency, the TFPC has urged the Tamil Nadu Government to introduce an official state-backed online ticketing platform. The platform would aim to reduce service charges, enhance transparency, and make moviegoing more affordable for the public, while ensuring producers and theatres receive accurate box-office data. New Film Release Regulation Committee Another key proposal from the meeting was the formation of a joint regulatory committee comprising representatives from the Theatre Owners' Association and the Distributors' Association. This body will work towards ensuring fair access to theatres for small and medium-budget films, addressing a long-standing imbalance in screen allocation dominated by star-driven releases. The proposed resolutions mark one of the most comprehensive reform packages by TFPC in recent years. If adopted, they could pave the way for a more equitable, transparent, and sustainable future for Tamil cinema, ensuring that creativity and commerce coexist in harmony. Stay tuned...

Rashmika Mandanna's The Girlfriend Strikes Gold In Non-Theatrical Business Tollywood
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Rashmika Mandanna's The Girlfriend Strikes Gold In Non-Theatrical Business

Hyderabad, November 4 - Rashmika Mandanna's upcoming romantic drama The Girlfriend has turned out to be a hot property even before its theatrical release. The film has secured impressive non-theatrical deals, reaffirming the Pushpa actress's pan-India appeal. According to reports, The Girlfriend has secured its streaming home on Netflix, which has acquired the digital rights for 14 crore. Additionally, the Hindi dubbing and satellite rights have reportedly been sold for around 7 crore, taking the total non-theatrical revenue to a solid 21 crore. The strong response from buyers reflects the growing buzz around the film and Rashmika Mandanna's pan-India popularity. The film has managed to grow curiosity among the moviegoers after the solid teaser and trailer. The movie promises to be a unique romantic drama with a strong message. Directed by Rahul Ravindran, The Girlfriend is touted to be an emotional romantic entertainer which explores themes of toxic and possessive relationships within a college romance. Also starring Dheekshith Shetty, Anu Emmanuel, Rao Ramesh, and Rohini, the movie is scheduled to release on November 7 in multiple languages. Stay tuned...

Pooja Hegde and Nora Fatehi join Raghava Lawrence in Kanchana 4 bringing major star power to the franchise Kollywood
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Pooja Hegde and Nora Fatehi join Raghava Lawrence in Kanchana 4 bringing major star power to the franchise

The horror-comedy universe built by Raghava Lawrence is gearing up for another spirited return. Kanchana 4 "” also tracked in trade circles as Muni 5: Kanchana 4 "” is officially in motion, marking the next chapter in one of Tamil cinema"™s most recognisable mass-horror franchises. Lawrence is once again at the centre of the storm, writing, directing and headlining the film, just as he has since the series first began rattling theatres nearly two decades ago. The new instalment already has buzzing star power. Pooja Hegde and Nora Fatehi have joined the cast, signalling that this chapter may be aiming wider than the core Tamil base and potentially eyeing a pan-India push. Backed under the Goldmines Telefilms banner, the film is listed as "œin production" with an expected rollout in 2026. The familiar premise remains rooted in the franchise"™s DNA "” a haunted house, a troubled spirit, and Lawrence"™s character becoming a vessel for a murdered transgender woman seeking justice, with help from her spirit sister. To understand why Kanchana 4 carries weight, you only need to glance back at the journey. The franchise began with Muni in 2007, an inventive little horror-comedy that quickly built a cult following. Kanchana (Muni 2) followed in 2011 and exploded into mainstream popularity with its cocktail of eerie chills, slapstick humour, and an emotional social layer that audiences connected with. Kanchana 2 in 2015 rode the momentum further, becoming one of the biggest grossers of its time for the genre, while Kanchana 3 in 2019 again proved the brand"™s commercial muscle. For many theatre-goers, these films weren't just scares and gags "” they were event releases, complete with fan whistles and family crowds enjoying equal parts fright and fun. Kanchana Franchise Performance Movie Year Of Release Budget Box Office Revenue Muni 9 March 2007 ₹4 Cr ₹15 Cr Kanchana 1 22 July 2011 ₹7 Cr ₹60 Cr Kanchana 2 17 April 2015 ₹18 Cr ₹108 Cr Kanchana 3 19 April 2019 ₹20 Cr ₹130 Cr Total ₹49 Cr ₹313 Cr That history raises the stakes for this comeback. With bigger names on board, the promise of higher production scale and visual spectacle feels natural. But the franchise also faces the challenge of freshness "” fans expect signature Kanchana elements, yet repetition could dull the thrill. The transgender-spirit theme, which earlier entries flirted with both sensitivity and sensationalism, will also be under watch to see how it is handled in today"™s cinematic climate. Still, if there"™s one thing the Kanchana films have proven, it"™s that Lawrence knows how to package fear with laughter and heart in a crowd-pleasing template. If Kanchana 4 strikes that familiar balance while adding new flavour, the franchise could roar back into the theatrical arena and reignite its cult mass energy. For fans of this spirited universe "” and anyone who enjoys a good scream followed by a good laugh "” this return has all the makings of a lively theatrical event.

Opinion: How An Eight-Week Theatrical Window Could Reshape South Indian Cinema's Future Sandalwood
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Opinion: How An Eight-Week Theatrical Window Could Reshape South Indian Cinema's Future

Mumbai, October 28 - The South Indian film industry has been at the forefront of India's box office resurgence over the past few years after facing the setback from the Covid-19 pandemic. From crowd-pullers like KGF 2, RRR, and Pushpa 2 to record-breaking phenomena like Kantara Chapter 1, these films have consistently drawn large numbers of audiences back to theatres. Yet, despite the success of tentpole blockbusters, the theatrical run of such films is being cut short far too soon due to premature OTT releases. This growing trend poses a serious threat to the sustainability of the theatrical ecosystem. After the pandemic, the entertainment industry, especially theatrical exhibition, was among the worst-hit sectors. Theatres across the country were shut for months, and filmmakers were left with no choice but to take an alternative route to recover costs. This was when digital platforms emerged as a boon, offering an immediate solution for film releases. However, this was never a long-term solution, given the limited financial returns from OTT platforms compared to theatrical revenue. Once the pandemic eased and normalcy returned, it became crucial for filmmakers to go back to basics and rebuild the theatrical business and help the sector recover from the pandemic blow. Bollywood was the first to do so, reinstating the pre-COVID norms and maintaining an eight-week theatrical window before films headed to OTT. Unfortunately, the same cannot be said about South Indian cinema, where most films continue to follow a four-week window. This shortsighted approach has severely impacted theatres, particularly in Karnataka, where exhibitors are struggling to draw audiences back, especially for mid and small-budget films. Viewers are now aware that a film will be available to stream online within a month, which discourages them from visiting theatres. While producers might still manage to recover their budgets and earn quick profits through early digital deals, this strategy is proving disastrous for exhibitors. Theatres are the proven backbone of the film industry's economy, and neglecting their long-term survival will ultimately harm everyone involved. The time has come for theatres in the South to take a decisive step and insist on a longer theatrical window, just as Bollywood has done to some extent. A uniform minimum eight-week window can help sustain the box office momentum and restore the balance between filmmakers, exhibitors, and audiences. South Indian cinema, just like any other film industry, has built its reputation on big-screen spectacles and community-driven experiences. To safeguard that magic and ensure the future of theatrical viewing, exhibitors and filmmakers must reunite for better planning. Protecting the theatrical window is not merely about the film business; it's about keeping alive the very essence of cinema that audiences love and celebrate. Stay tuned...

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They Call Him OG Ends Its Theatrical Run — Pawan Kalyan’s Blockbuster to Stream on Netflix from Tomorrow(23/10/2025) Tollywood
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They Call Him OG Ends Its Theatrical Run "” Pawan Kalyan"™s Blockbuster to Stream on Netflix from Tomorrow(23/10/2025)

After an impressive theatrical journey, Pawan Kalyan"™s action-gangster drama They Call Him OG is gearing up for its digital debut. The film, directed by Sujeeth and produced by DVV Entertainment, will begin streaming on Netflix from October 23, 2025, just under a month after its grand theatrical release. Released on September 25, 2025, They Call Him OG opened to massive anticipation, marking Pawan Kalyan"™s return to the big screen in a stylish and intense role as "œOjas Gambheera," a gangster with a code of his own. The movie was released across five languages "” Telugu, Tamil, Kannada, Malayalam, and Hindi "” and quickly established itself as one of the highest-grossing South Indian films of the year. The film"™s India net collection reached approximately ₹ 191.5 Cr, while the worldwide gross is reported to be around ₹ 293.65 Cr, making it one of Pawan Kalyan"™s top-performing films. The film"™s initial occupancy rates were particularly strong in Andhra Pradesh and Telangana, where single screens reported near-houseful shows during the opening weekend.The combination of Pawan Kalyan"™s charisma, Emraan Hashmi"™s menacing debut in Telugu cinema, and Sujeeth"™s sleek direction contributed to the film"™s strong audience pull. Fans praised the blend of high-octane action, emotional drama, and Thaman"™s powerful background score. After nearly four weeks in theatres, They Call Him OG will now make its OTT premiere on Netflix on October 23, 2025. The film will be available in Telugu, Tamil, Hindi, Kannada, and Malayalam, offering wider accessibility for pan-Indian audiences.This move comes as part of a growing trend in Indian cinema, where producers are opting for shorter theatrical-to-digital windows to sustain viewership momentum. The film"™s relatively swift transition to OTT "” just four weeks after release "” underscores the changing dynamics of film distribution in the South Indian film industry. Traditionally, big-budget star vehicles would enjoy at least six to eight weeks of exclusive theatrical screening before heading to streaming platforms.However, the landscape is rapidly evolving. Producers are now adopting hybrid release models to capture audiences across multiple formats. This strategy allows films to maximize both theatrical earnings and digital viewership, keeping them relevant in the conversation even after box office revenue begins to taper off. For streaming giants like Netflix, acquiring such high-profile South Indian titles early helps boost regional subscriber engagement, while for filmmakers, it ensures the movie reaches a broader global audience.In the case of They Call Him OG, the timing aligns perfectly "” the film closes its successful theatrical run while maintaining the excitement for its digital release, offering fans another chance to experience the stylish gangster drama from the comfort of their homes. They Call Him OG stands as a testament to Pawan Kalyan"™s enduring screen power and Sujeeth"™s ability to craft commercially potent cinema with visual flair. With its upcoming Netflix premiere, the film is poised to reach an even wider audience, marking a fitting continuation of its box-office success story.

Rishab Shetty's Kantara Chapter 1 Becomes The Highest-Grossing Film In Karnataka Sandalwood
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Rishab Shetty's Kantara Chapter 1 Becomes The Highest-Grossing Film In Karnataka

Bengaluru, October 15 - Rishab Shetty's blockbuster prequel Kantara Chapter 1 has rewritten box office history in Karnataka, emerging as the highest-grossing film ever in the state. The period folk action thriller continues its phenomenal run and is now marching toward the unprecedented milestone of 200 crores gross in Karnataka alone. Written, directed, and headlined by Shetty, Kantara prequel has grossed approximately 185+ crores through its second Wednesday (14 days). It has surpassed the lifetime total of 2022's Kantara (183.60 crores) to become the state's biggest grosser "” achieving this feat in just 14 days. Interestingly, the average ticket price for Kantara Chapter 1 in Karnataka has been recorded at over 300, a rare occurrence made possible after the makers took a firm stand against the state government's price cap order. The High Court's stay on the restriction "” which had limited prices to 200 "” played a crucial role in the film's massive revenue surge. Produced by Hombale Films, the banner behind Kantara and KGF Chapter 2 (the third-biggest grosser in Karnataka), Kantara Chapter 1 is now on course to become the first-ever film in history to cross 200 crores gross in the state, a feat expected to be achieved by its third weekend. Meanwhile, the film has topped 650 crores worldwide in 13 days. In India, it has grossed approximately 557 crores, while overseas collection is 100 crores so far. As said, Kantara 2 is only the second Kannada movie ever to breach the 100 crore mark at the International box office, after Yash's KGF 2. Stay tuned...

Ayushmann Khurrana and Rashmika Mandanna's Thama Trailer Release Date Announced Bollywood
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Ayushmann Khurrana and Rashmika Mandanna's Thama Trailer Release Date Announced

Mumbai, September 25 "“ Producer Dinesh Vijan's horror-comedy universe is set to unleash the next chapter in Ayushmann Khurrana and Rashmika Mandanna's Thama. The movie, directed by Munjya fame Aditya Sarpotdar, is scheduled to release on Diwali this year, and the makers are gearing up to start the promotion with the trailer. The much-awaited trailer of Thama, also starring Nawazuddin Siddiqui and Paresh Rawal, is finally set to arrive this Friday, September 26. The official announcement of the trailer was made on Thursday with a new interesting poster. The trailer has been officially cleared by the censor board with a U/A certificate and a total runtime of 2 minutes and 57 seconds. It is said that Shraddha Kapoor, who has been an integral part of this universe with the Stree franchise, will launch the trailer. This audience can expect a tightly-packed preview offering a strong glimpse into the story, performances, and visual appeal of Thama. Adding to the excitement, the makers are going all out with a special reveal event at Bandra Fort (Amphitheatre) on the same day. The venue is expected to host the cast, crew, media, and fans, turning the trailer launch into a celebratory evening. With Ayushmann and Rashmika sharing the stage with the rest of the team, the buzz around the film is only set to grow bigger as it heads into its promotional phase. Stree aayegi aur THAMMAKE wali news laayegi! 👀❤️ Join us for a special launch at Bandra Fort (Amphitheatre).Register Now.🔗 - https://t.co/QyxfNq6Fk3Meanwhile, the countdown begins! #ThammaTrailer drops tomorrow! Just one more day to go! 🥰This Diwali, the universe"¦ pic.twitter.com/yLKx37gKrr— Maddockfilms (@MaddockFilms) September 25, 2025 Stay tuned...

Jolly LLB Franchise Box Office Journey: Can Akshay Kumar and Arshad Warsi-led Jolly LLB 3 Outperform Its Predecessor? Bollywood
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Jolly LLB Franchise Box Office Journey: Can Akshay Kumar and Arshad Warsi-led Jolly LLB 3 Outperform Its Predecessor?

Mumbai, September 17 - Over the year, Bollywood has produced multiple successful film franchises, including courtroom comedy drama Jolly LLB. Directed by Subhash Kapoor, the Jolly LLB series has grown from a modest courtroom satire into one of the most reliable franchises. Well, the fan favourite franchise has returned with the third instalment with stacks higher than before. Both the Jollys, Arshad Warsi and Akshay Kumar, who headlined the first two films separately, have come together for Jolly LLB 3, which is scheduled to release on September 19. With less than 2 days to go before the release, the trade is anticipating it to repeat the success of the first two movies and is hopeful that it will take things a notch higher. Jolly LLB (2013) - Released in 2013, Jolly LLB featured Arshad Warsi in the lead alongside Amrita Rao, Saurabh Shukla, and Boman Irani. Made on a modest budget of around 15 crores, the film emerged as a surprise success thanks to its sharp satire on corruption in the legal system. At the box office, it grossed around 46 crore worldwide, including ₹43.75 crore from India, and drew close to 35 lakh footfalls. The film received praise for the direction and story, along with appreciation for the lead cast. Its impact was further amplified when it went on to win the National Film Award for Best Feature Film in Hindi, establishing a solid foundation for a franchise. Saurabh Shukla, who has been a major reason behind the franchise's success, won the National Award for Best Supporting Actor. Jolly LLB 2 (2017) "“ Star Power Takes The Franchise To New Highs - The sequel arrived in 2017 with Akshay Kumar stepping into the role of the quirky lawyer, replacing Arshad. The results were phenomenal as Jolly LLB 2 collected superb around 197 crore worldwide gross, out of which 162.50 crore came from India, while footfalls rose more than 3x to nearly 1.20 crore. This massive jump in both revenue and audience turnout showed the difference that star power could make, transforming the series from a small hit into a full-fledged blockbuster franchise. It also won multiple awards at different awards shows. Can Both Jollys Take Jolly LLB 3 Past Its Predecessor - As said, the stakes are higher than before, and with both Arshad Warsi and Akshay Kumar coming together for the first time in the series, expectations are running high for Jolly LLB 3. The first two films combined have already amassed around 250 crore worldwide with over 1.50 crore footfalls, proving the franchise's strong box office pull. If the third instalment successfully blends its signature mix of satire, courtroom drama, and entertainment, it has every chance to surpass the benchmark set by Jolly LLB 2 and solidify Jolly LLB as one of Bollywood's most enduring courtroom sagas. The franchise films have seen a higher ratio of failure than success this year, but the trade is optimistic about Jolly LLB 3. Stay tuned...

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Non-Theatrical Boost: Tiger Shroff's Baaghi 4 Becomes Profitable Despite Mixed Box Office Start Bollywood
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Non-Theatrical Boost: Tiger Shroff's Baaghi 4 Becomes Profitable Despite Mixed Box Office Start

Mumbai, September 7 "“ Tiger Shroff returned to the big screen with the latest action entertainer Baaghi 4, the fourth instalment in the decade-long franchise. Directed by A Harsha, the film opened to mixed reviews at the box office. The initial collections are on the expected line, given the reviews, but not up to the level of the franchise's standards. Produced by Sajid Nadiadwala under the banner of Nadiadwala Grandson Entertainment, Baaghi 4 is reportedly made on a budget of 80 crores, including production and marketing expenses. Despite the mixed collection, the film has already turned out to be a safe venture for its makers, thanks to solid non-theatrical deals across digital, satellite, and music rights. According to the report by Pinkvilla, the producers struck lucrative off-screen deals, fetching a total of 92 crore from non-theatrical revenue. This has resulted in a table profit of 12 crore, ensuring that the film's cost was recovered before theatrical revenue even came into play. It is said that the streaming rights of the A-rated action thriller were acquired by Prime Video for a big 50 crore, while Zee Cinema bagged the satellite (television) rights for 25 crore. Additionally, T-Series secured the music rights for 17 crore. Together, these strong deals helped Baaghi 4 become profitable on paper, despite the challenges at the ticket windows. At the box office, the Tiger Shroff-starrer opened decently with an estimated 12 crore net on day, but collections dipped on day 2, bringing in about 9.25 crore, for a two-day total of nearly 21.25 crore net, as the opening weekend is headed for around 30 crores net. The film's theatrical run will determine its overall standing with audiences, but for producers, the project is already in the green. The brand value of the Baaghi franchise has played a key role in helping the makers to fetch solid non-theatrical deals for the latest instalment. The franchise's mass appeal, blended with action, romance, and emotions, has struck a chord with the audience in all age groups. Baaghi 4, however, has taken a different path as it nullifies the family audience due to its adult tone, but it still has a loyal audience, which has kept it relevant despite the signs of franchise fatigue. Stay tuned...

Ahaan Pandey, Aneet Padda's Mega Blockbuster Saiyaara Final Worldwide Box Office Collection, Records, and Verdict Bollywood
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Ahaan Pandey, Aneet Padda's Mega Blockbuster Saiyaara Final Worldwide Box Office Collection, Records, and Verdict

Mumbai, September 3 - Debutante Ahaan Pandey and Aneet Padda's Saiyaara has almost concluded its theatrical run, emerging as one of the biggest blockbusters of Indian cinema at the worldwide box office. Backed by strong word of mouth, chartbuster music, and wide appeal among youth, the film has not only performed exceptionally in India but has also left a remarkable mark overseas. Directed by Mohit Suri and backed by Aditya Chopra under the banner of Yash Raj Films, Saiyaara has been a box office phenomenon, no one show coming. The romantic drama has left everyone, including the trade, stunned by emerging as one of the best-performing Indian films in recent times, for the kind of scale and star power it has. Made on a budget of around 60 crores, Saiyaara is one of the most profitable Indian films of the modern era, with the overall profit in the range of 225+ crores, including around 170 crores of theatrical profit. The film's non-theatrical revenue is reportedly in the range of 60 crores, including 45 crores for post-theatrical streaming rights. In India, Saiyaara collected an excellent 329+ crore net, which translates to around 398.50 crore gross. The film maintained an extraordinary hold across multiplexes and single screens alike, ensuring long legs at the ticket counters. As per estimates, it sold 1.85 crores tickets in India, which underlines its strong audience reach and repeat value, making it one of the most-watched romantic films in recent times. Saiyaara is arguably the biggest Indian Overseas blockbuster in recent times. With completely unknown faces, the film performed like a top star film in the international markets, which contributed significantly, grossing 171.50 crore, thanks to its strong reception in North America, the Middle East, and Australia. This propelled the film's final worldwide gross to 570 crore, a phenomenal achievement for a romantic entertainer led by newcomers. Here Is The Final Worldwide Box Office Breakdown of Saiyaara India Net Box Office Collection₹ 329.25 Cr India Gross Box Office Collection₹ 398.50 Cr Overseas Box Office Collection₹ 171.50 Cr Worldwide Box Office Collection₹ 570.00 Cr India Footfalls/Admits1.85 Cr approx. Box Office VerdictSuper Blockbuster Saiyaara Box Office Records - With its heartfelt storytelling, soulful music, and refreshing lead pair, Saiyaara has not only struck a chord with audiences but has also delivered historic box office records. The film's unprecedented success is a testament to strong content and smart marketing, and it has now paved the way for newcomers to thrive on the big screen. - Highest opening for debutant-led Indian film: 21.50 crore net - Highest opening for an Indian romantic film, beating Kabir Singh (20.21 crore net) - Highest worldwide opening for debutant-led Hindi film: 29.75 crore gross - Highest worldwide opening for a romantic Indian film, beating Kabir Singh (26.50 crores gross) - Highest opening weekend for a debutant-led Indian film: 83.25 crore net - Highest opening weekend for a romantic Indian film, beating Kabir Singh (70.83 crore net) - Highest worldwide opening weekend for a debutant-led film: 117.25 crore gross - Highest worldwide opening weekend for a romantic Indian film, beating Kabir Singh (93.60 crore gross) - Highest opening week for a debutant-led Indian film: 172.75 crore net - Highest opening week for a romantic Indian film, beating Kabir Singh (134.42 crore net) - Highest worldwide opening week for a debutante-led Indian film: 250.25 crore gross - Highest worldwide opening week for a romantic Indian film, beating Kabir Singh (176.50 crore gross) - First 100, 200, 300 crore net-grosser for a lead debut actor - Highest-grossing Indian film for a lead debut actor - First 300 crore net-grosser Indian romantic film, beating Kabir Singh (278.80 crore net) - Highest-grossing Indian romantic film at the domestic box office - Highest-grossing Indian romantic film at the worldwide box office, beating Kabir Singh (377 crore gross) - First Indian romantic film to gross 400 crore worldwide - Biggest Bollywood grosser of 2025 at the overseas box office, beating Chhaava (93 crore) - Highest-grossing Indian romantic film at the overseas box office - Second Indian film of the year to gross 500 crore worldwide Stay tuned...

Hrithik Roshan-Jr. NTR's War 2 Bags Big Non-Theatrical Deals Worth 225 Crore Bollywood
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Hrithik Roshan-Jr. NTR's War 2 Bags Big Non-Theatrical Deals Worth 225 Crore

Mumbai, August 22 - Yash Raj Films' much-hyped spy action thriller War 2, starring Hrithik Roshan and Jr. NTR, has been underwhelming at the box office so far, with a disappointing first-week collection of around 315 crores worldwide. Ideally, the movie should have done this business or probably more in the opening weekend itself, but poor reviews and mixed word of mouth proved fatal. With no sign of rebound, Ayan Mukerji's directorial is heading towards emerging as a loss venture for YRF. As per trade estimates, the film will end up with around 50 crores in losses for the studio. Given the huge production costs and how the film has performed at the box office, the losses could have been higher, but the makers recovered most of it from the non-theatrical rights. According to reports, War 2's digital rights have been sold for 150 crores, while satellite rights brought 50 crores, and music rights brought 25 crores in revenue for YRF. The total non-theatrical revenue of around 225 crores has helped the studio to bring down the losses. The movie was reportedly made on a budget of over 400 crores, as the costliest film in the YRF Spy Universe. This includes the salaries of Jr. NTR (60 crores), Hrithik Roshan (35 crores), Ayan Mukerji (25 crores), and Kiara Advani (10 crores). Directed by Ayan Mukerji, War 2 is the 6th film in the Spy Universe, and the sequel to 2019's blockbuster War. It stars Telugu superstar Jr. NTR in his Bollywood debut, alongside Hrithik Roshan, who reprises his role from the first film, Kiara Advani and Anil Kapoor. ## Stay tuned...