Venu

Venu

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Date of Birth
Jan 26, 1957
📅
Age
68 Years
🎬
Known For
Indian Cinema
Director Cinematographer
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Career Stats

Total Movies 0
Debut Year Coming Soon
Awards Won Coming Soon
Box Office ₹0 Cr
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Recent Movies

Ekka
Ekka
Action, Thriller
Jul 2025
Telugu, Hindi, Tamil, Kannada, Malayalam
Munnariyippu
Munnariyippu
Action, Thriller
Aug 2014
Telugu, Hindi, Tamil, Kannada, Malayalam
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Related News & Articles

Hrithik Roshan-Jr. NTR's War 2 Bags Big Non-Theatrical Deals Worth 225 Crore Bollywood
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Hrithik Roshan-Jr. NTR's War 2 Bags Big Non-Theatrical Deals Worth 225 Crore

Mumbai, August 22 - Yash Raj Films' much-hyped spy action thriller War 2, starring Hrithik Roshan and Jr. NTR, has been underwhelming at the box office so far, with a disappointing first-week collection of around 315 crores worldwide. Ideally, the movie should have done this business or probably more in the opening weekend itself, but poor reviews and mixed word of mouth proved fatal. With no sign of rebound, Ayan Mukerji's directorial is heading towards emerging as a loss venture for YRF. As per trade estimates, the film will end up with around 50 crores in losses for the studio. Given the huge production costs and how the film has performed at the box office, the losses could have been higher, but the makers recovered most of it from the non-theatrical rights. According to reports, War 2's digital rights have been sold for 150 crores, while satellite rights brought 50 crores, and music rights brought 25 crores in revenue for YRF. The total non-theatrical revenue of around 225 crores has helped the studio to bring down the losses. The movie was reportedly made on a budget of over 400 crores, as the costliest film in the YRF Spy Universe. This includes the salaries of Jr. NTR (60 crores), Hrithik Roshan (35 crores), Ayan Mukerji (25 crores), and Kiara Advani (10 crores). Directed by Ayan Mukerji, War 2 is the 6th film in the Spy Universe, and the sequel to 2019's blockbuster War. It stars Telugu superstar Jr. NTR in his Bollywood debut, alongside Hrithik Roshan, who reprises his role from the first film, Kiara Advani and Anil Kapoor. ## Stay tuned...

Top 10 Biggest Indian Overseas Grossers of 2025: Rajinikanth's Coolie Rules the Charts Bollywood
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Top 10 Biggest Indian Overseas Grossers of 2025: Rajinikanth's Coolie Rules the Charts

Mumbai, August 31 - 2025 has turned into a good year so far for Indian films in the overseas market, with movies from the Bollywood, Tamil, Telugu, and Malayalam industries making a splash at the global box office. From grand romantic sagas to star-powered action blockbusters, audiences across the world have embraced Indian cinema like never before. Sun Pictures' gangster action drama, Coolie, starring superstar Rajinikanth, was released on August 14, and within no time, it has stormed to the top spot among the biggest Indian grossers at the overseas box office. Directed by Lokesh Kanagaraj, the film is yet to complete its first weekend, already grossing over 150 crores overseas in 5 days. Yash Raj Films' romantic drama, Saiyaara, starring debutante Ahaan Pandey and Aneet Padda, became a global sensation. This has been the biggest success story of Indian cinema this year. Directed by Mohit Suri, Saiyaara blended soulful music, passionate storytelling, and stunning visuals, making it a cross-cultural hit. The film's theme connected not only with Indian audiences but across the world, making it the biggest Indian blockbuster in the international market. The Malayalam megahit, Empuraan, starring Mohanlal and directed by Prithviraj Sukumaran, was hit by controversy in India, but that didn't stop it from making a big hit at the box office, not just in India but also internationally. It continued the Lucifer saga with high-octane political intrigue and action. The film’s international fan base, built from the first part, turned Empuraan into a global blockbuster. Thudarum, one of the biggest Malayalam blockbusters in recent times, stunned the trade and went on to score big at the box office. The action thriller, starring Mohanlal, did wonders globally and became one of only three Malayalam titles to cross 200 crores worldwide, including close to 100 crores gross from overseas markets. The historical epic, Chhaava, starring Vicky Kaushal as Chhatrapati Sambhaji Maharaj, impressed both domestic and global audiences and is currently the biggest Indian grosser worldwide with over 800 crores in collection. This Laxman Utekar's directorial's grand battle sequences, rich production design, and a patriotic storyline drove its stellar overseas run with close to 100 crores gross. Housefull 5, Bollywood's favourite comedy franchise, returned bigger and zanier. Despite the disappointment of not living up to expectations, this Akshay Kumar-led film did decently at the box office and is so far among the top overseas grossers. The film's mixed slapstick humour, exotic locations, and star power captured the attention of family audiences abroad, especially in the Gulf and the UK. Directed by Adhik Ravichandran, Good Bad Ugly marked a major comeback for superstar Ajith Kumar, after the big failure of Vidaamuyarchi. Ajith's vintage avatar in the movie was celebrated by the fans worldwide. It became the first film of the actor to hit 200 crores worldwide gross, including a good performance in overseas markets. War 2, starring Hrithik Roshan and Jr. NTR, has underperformed at the box office, be it domestic or overseas. In the first 5 days, the film grossed approximately 63 crores internationally. The movie is directed by Ayan Mukerji and produced by Yash Raj Films. After the failure of Laal Singh Chaddha, Aamir Khan returned to winning ways with Sitaare Zameen Par, a heartfelt comedy-drama that follows a suspended basketball coach who must serve community service by helping a team of players with disabilities prepare for a tournament. Just like Ajith Kumar, SZP proved to be a comeback movie for Aamir Khan by emerging as a box office hit in India and overseas. Sikandar, one of the major letdowns of the year, this Salman Khan-led action drama failed to perform to expectations despite featuring among the top 10 biggest overseas grossers. Directed by a seasoned director like AR Murugadoss, Sikandar finished below 200 crores worldwide, while its overseas performance was also not good. What Sikandar proved for Bollywood, Thug Life met the same fate for Kollywood. Kamal Haasan's much-awaited action-thriller, directed by Mani Ratnam, blended artful filmmaking with mass entertainment. The film's international premieres were major events, boosting its overseas revenue. However, it turned into a big disaster, failing to capitalise on the huge buzz. Before scoring his biggest grosser with Good Bad Ugly, Ajith Kumar had a big setback with the action-drama Vidamuyarchi. It was among the biggest failures. With heavyweights like War 2 and Coolie yet to arrive, the overseas box office race of 2025 is far from over. But for now, Saiyaara sits at the top, proving that heartfelt romance can still rule the world stage in the age of action spectacles. Stay tuned...

Box Office 2025: Chhaava’s Historic ₹600 Cr Run, Saiyaara’s Pre-Booking 
Frenzy, and the Unstoppable Wave of This Year’s Highest Grossers Box Office
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Box Office 2025: Chhaava’s Historic ₹600 Cr Run, Saiyaara’s Pre-Booking Frenzy, and the Unstoppable Wave of This Year’s Highest Grossers

1. Chhaava – ₹807.88 crore - Chhaava was the powerful story of a brave hero, Chhatrapati Sambhaji Maharaj, the valiant son of Chhatrapati Shivaji Maharaj. After Shivaji’s death in 1680, the Mughal emperor Aurangzeb, played by Akshaye Khanna, and his court rejoiced, believing their fiercest enemy was gone. Confident and emboldened, they dreamed of capturing the Deccan region. But their joy was short-lived when Sambhaji Maharaj, portrayed by Vicky Kaushal, delivered a stunning blow— raiding Burhanpur and looting the Mughal treasury. Enraged, Aurangzeb swore revenge. Anticipating a Mughal retaliation, Sambhaji made strategic preparations to protect his kingdom. However, what he did not foresee was the betrayal within his own family—internal politics that made it easier for Aurangzeb to advance. What followed was a gripping tale of war, sacrifice, and the unwavering spirit of a leader who refused to surrender. ## Chhaava had not only captivated audiences but also rewritten the box office record books. With a staggering ₹600.10 crore at the domestic box office, it became Vicky Kaushal’s highest-grossing film to date, surpassing all his previous works and reaffirming his status as one of the most bankable stars of his generation. The film entered Bollywood’s most elite league, becoming only the fourth Indian film to cross the ₹600 crore mark domestically, joining the ranks of Pushpa 2: The Rule, Jawan, and Stree 2. ## This historic success also marked a milestone for Rashmika Mandanna, who etched her name in box office history. With Chhaava crossing ₹500 crore, she became the only actress with three consecutive blockbusters crossing the ₹500 crore mark. Her previous two hits—Animal and Pushpa 2: The Rule - combined with Chhaava, completed a unique and unmatched hat-trick, cementing her position as one of the most formidable stars in Indian cinema. Chhaava was not just a film—it was a cinematic triumph that blended legacy, valour, and mass appeal into an unforgettable experience.## 2. Saiyaara – ₹512crore - Saiyaara was a film of many firsts—it marked the much-anticipated acting debut of Ahaan Panday, the first collaboration between acclaimed director Mohit Suri and Yash Raj Films (YRF), and also the producing debut of Akshaye Widhani. Moreover, it held the distinction of being the first YRF theatrical release with Netflix as its official OTT partner. ## The story revolved around Vaani Batra (Aneet Padda), a closet poet heartbroken after being abandoned at the altar, who later crossed paths with Krish Kapoor (Ahaan Panday), an aspiring singer with a temper and a passion for music. When Krish read one of Vaani’s poems, he was mesmerised and invited her to write lyrics for his songs. As they worked together, love blossomed, but their relationship faced unexpected challenges, forming the emotional core of the narrative. ## In what could only be described as a spectacular dream run, Saiyaara crossed the ₹500-crore mark at the worldwide box office within just 18 days of its theatrical release, firmly establishing itself as one of the year’s biggest successes. Starring debutant Ahaan Panday alongside Aneet Padda, the romantic action drama became the second film of 2025 to enter the elite ₹500 Crore club, following the record-breaking Chhaava. Saiyaara also made headlines for its massive pre-release buzz, emerging as the highest pre-booked film among several top titles. Saiyaara had registered the highest number of pre-bookings. At that time, it ranked 28th among the top booking grossers at MovieMax. ## Some of the films ahead of it included Jurassic World: Rebirth (2,087 tickets), Badass Ravi Kumar (2,400 tickets; benefited from the Rs. 99 offer), Fighter (2,850 tickets), Sikandar (3,700 tickets), Kalki 2898 AD (5,100 tickets), Dunki (6,300 tickets), Brahmastra (6,500 tickets), Singham Again (7,000 tickets), Jawan (17,500 tickets), Animal (18,600 tickets), Stree 2 (21,870 tickets), Chhaava (21,900 tickets), and Pushpa 2 – The Rule (22,500 tickets). Meanwhile, Saiyaara had surpassed prominent films like Rocky Aur Rani Kii Prem Kahaani (1,400 tickets), Sitaare Zameen Par (1,262 tickets), Bade Miyan Chote Miyan (1,175 tickets), and Kesari Chapter 2 (1,146 tickets).## Housefull 5– ₹288.58 crore - Akshay Kumar’s madcap entertainer Housefull 5 stormed into cinemas with an explosive start, collecting ₹24.35 crore on its opening day. This thunderous debut rewrote the franchise’s record books, surpassing all previous instalments by a wide margin. The journey had begun with Housefull (2010) at ₹10 crore, followed by Housefull 2 (2012) at ₹14 crore, Housefull 3 (2016) at ₹15.21 crore, and Housefull 4 (2019) at ₹16.50 crore—making the fifth chapter the undisputed champion of the series and another box-office triumph for Akshay Kumar. ##The film also achieved good success globally, becoming Akshay Kumar’s widest international release. It played in over 85 countries, reached more than 1,300 venues, and ran on over 2,000 screens worldwide—a new benchmark for both the star and the franchise that reflected its massive global appeal. The story unfolds on a luxury cruise owned by Ranjeet Dobriyal, Britain’s seventh-richest man, during his 100th birthday celebration. After Ranjeet’s sudden death, his will names a son from his first marriage—Jolly—as heir. Chaos erupts when three different men claim to be Jolly, each with a wife in tow. A DNA test is planned, but a night of wild partying ends with the murder of a doctor. Two quirky detectives board the ship to unravel the mystery, leading to a storm of mistaken identities, comic twists, and revelations on the high seas.## ## Sitaare Zameen Par – ₹267.34 crore - Aamir Khan’s Sitaare Zameen Par was a heartfelt Hindi drama directed by RS Prasanna and starred Aamir Khan alongside Genelia Deshmukh, marking her much-anticipated comeback after 13 years. The film brought together a talented ensemble cast in a story that blended emotional depth with an inspiring message, while also breaking new ground in accessibility, making it a cinematic experience for audiences of all abilities. In the last quarter of the millennium, ‘mainstream’ Hindi cinema had evolved to mean far more than standard (and sometimes substandard) entertainers. A growing segment of these films focused on stories—mostly fictional—about people with medical afflictions and disabilities. ## Just recently, audiences had seen the sensitive Tanvi—The Great, which explored autism with depth and compassion. For films built around such themes, disabilities needed to be portrayed in a positive and wholesomely compassionate light—avoiding frivolity, as seen in Aankhon Ki Gustaakhiyan (on blindness), or the kind of opportunistic, artificially convenient depiction found in Saiyaara. The balance needed to ensure that the ‘entertainment quotient’ worked in harmony with the ‘emotional quotient’ and, importantly, the ‘intelligence quotient’. ## Encouragingly, most films in this space had not only succeeded commercially but had also enhanced awareness, understanding, and acceptance of individuals facing such challenges. Marking a significant moment in this movement was Genelia Deshmukh’s return to cinema after 13 years in Sitaare Zameen Par, produced by Aamir Khan. In a groundbreaking achievement for global cinema, the film became the first in the world to feature all major accessibility features—closed captions, audio description, and Indian Sign Language—ensuring that audiences with visual, hearing, or speech impairments could experience it with dignity and independence.## This heartfelt drama had a strong start, opening to ₹10.50 crore on Day 1, followed by an impressive overseas opening weekend collection of 3.10 million USD (₹26.83 crore), underscoring that films with both emotional depth and inclusive vision resonated powerfully across borders.## Raid 2 – ₹237 crore - Starring Ajay Devgn, Riteish Deshmukh, Vaani Kapoor, and Rajat Kapoor, and directed by Raj Kumar Gupta, Raid 2 emerged as the 42nd success and 17th hit for Ajay Devgn. The movie followed Income Tax Officer Amay Patnaik in 1989 as he was transferred to Bhoj after a controversial raid in Jaipur. There, he confronted influential cabinet minister Manohar Dhankar, aka Dada Bhai, a revered figure who was secretly steeped in corruption. Determined to expose him, Amay launched a massive raid, only to find nothing, forcing him to change tactics against his shrewdest opponent yet. What followed was a gripping battle of wits, strategy, and perseverance to bring the untouchable politician to justice. The movie was released on Netflix on June 26 and received a strong audience response for its gripping drama and performances. However, Raid 2 It couldn’t impress much compared to its predecessor. ## In the end, this season proved to be a milestone period for Indian cinema, with each film carving its mark at the box office. Chhaava emerged as the undisputed champion, not just for its gripping portrayal of Chhatrapati Sambhaji Maharaj but also for rewriting history with over ₹600 crore domestically and cementing Vicky Kaushal and Rashmika Mandanna’s records. Saiyaara made waves with its exceptional pre-booking numbers, holding its own against major blockbusters and delivering a solid opening that justified the early hype. Sitaare Zameen Par, Raid 2, and Housefull 5 also had their moments—drawing in crowds with their unique appeal and contributing to a vibrant, competitive box office. Together, these films demonstrated the diversity of storytelling and star power in today’s industry—proving that whether it’s historical grandeur, high-octane thrillers, or light-hearted entertainers, audiences are willing to show up in massive numbers when the big screen delivers a memorable experience. ## Stay tuned...

50 Years of Superstar Rajinikanth: The Box Office King Who Rewrote Cinema History Kollywood
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50 Years of Superstar Rajinikanth: The Box Office King Who Rewrote Cinema History

Chennai, August 15 - Born Shivaji Rao Gaekwad on December 12, 1950, in Bangalore, Rajinikanth's journey to cinematic superstardom is the stuff of legend. Raised in a modest Maharashtrian family, he worked a series of jobs, including as a bus conductor, before his passion for acting led him to the Madras Film Institute in the early 1970s. There, his raw talent and magnetic presence caught the attention of celebrated director K. Balachander, who gave him his debut in Apoorva Raagangal (1975). Though a small role, it announced the arrival of a unique screen presence.## Initially cast in intense, often antagonistic roles, Rajinikanth quickly transformed into a leading man with films like Mullum Malarum (1978) and Bhuvana Oru Kelvi Kuri (1977). By the early 1980s, his charisma, trademark style, and mass connect had turned him into Tamil cinema's biggest draw. Billa (1980) was a turning point, redefining the industry's commercial scale with a gross of over ₹10 crore worldwide among the first Tamil films and introducing the "Superstar" title that has stayed with him ever since.## What followed was an era of dominance that few actors in world cinema can match. Through the 1980s and 1990s, Rajinikanth delivered a string of historic hits, Annamalai (1992), Baashha (1995), and Padayappa (1999), each smashing box office records and running for extraordinary durations. His films weren't just theatrical releases; they were cultural events, celebrated with towering cutouts, dawn shows, and international premieres. Over the decades, Rajinikanth has continually adapted to changing cinematic landscapes, from the record-breaking Chandramukhi (2005) and Sivaji (2007) to the sci-fi spectacle Enthiran (2010), the global blockbuster Kabali (2016), and the mega-hit Jailer (2023). Across generations, his ability to command the box office remains unmatched—a legacy built on charisma, versatility, and an unbreakable bond with his audience. ## During Rajinikanth's Golden Era of the 1990s, the following films stood out not only for their mass appeal but also for the records they set at the box office. Thalapathi (1991), directed by Mani Ratnam and co-starring Mammootty, with music composed by Ilaiyaraaja, drew inspiration from the friendship between Karna and Duryodhana in the Mahabharata, reimagined in a modern-day gangster backdrop. The film opened to massive box office success in Tamil Nadu and Kerala, enjoying runs of over 200 days in several theatres.## Annamalai (1992) emerged as the highest-grossing Tamil film of its time, reportedly earning around 12.5 crore, a staggering figure for the early 90s, cementing the Superstar's bankability. Just three years later, Baashha (1995) shattered that record with an unprecedented run of nearly 15 months in theatres, though exact figures remain undocumented in verified public sources. By the decade's close, Padayappa (1999) had taken the crown as Tamil cinema's highest-grossing film of its time, combining record-breaking openings with long-running popularity. These three titles not only ruled the box office but also solidified Rajinikanth's status as a pan-India phenomenon.## ## The wave continued with Muthu (1995), a Diwali release that became a silver-jubilee hit in Tamil Nadu. Its Japanese dub, Muthu: The Dancing Maharaja (1998), grossed about ~US$3.06 million and stood as the highest-grossing Indian film in Japan for 24 years, opening an overseas fanbase few regional stars had enjoyed then. ## 2000s – Crossing the 100 Crore Frontier ## The 2000s marked a new phase in Rajinikanth’s career, where he not only maintained his dominance but also redefined commercial milestones. Chandramukhi (2005) became the longest-running Tamil film in history, with an extraordinary 890+ days in theatres, and significantly boosted its overseas presence. Just two years later, Sivaji: The Boss (2007) created history by becoming the first Tamil film to gross over 100 crore worldwide, setting a new benchmark for budgets, promotions, and box office potential in the industry. This decade firmly established Rajinikanth as a star who could deliver unprecedented numbers while continually expanding Tamil cinema's reach. ## 2010s – Pan-India & Global Stardom ## The 2010s cemented Rajinikanth's stature as a true pan-India and global superstar, with his films achieving unprecedented reach and revenue. Enthiran (2010), a groundbreaking sci-fi spectacle, became one of the highest-grossing Indian films of its time, earning over 291 crore worldwide and setting new technical benchmarks. Kabali (2016) followed with record-smashing pre-release business and a staggering 200+ crore opening weekend globally, proving Rajinikanth's unmatched pull across markets. Then came 2.0 (2018), the most expensive Indian film ever made at 500+ crore, which went on to gross around 700 crore worldwide, further solidifying his position as a box office phenomenon who could command massive budgets and deliver equally massive returns. ## (Worldwide collection)## ## The 2020s showcased Rajinikanth's enduring box office power, proving that even after decades at the top, his star appeal remains unshakable. Annaatthe (2021), released during the pandemic, defied restrictions to emerge as a major Diwali season winner, drawing massive crowds in Tamil Nadu and strong overseas numbers. But it was Jailer (2023) that truly reaffirmed his dominance, grossing over 600 crore worldwide and becoming one of the highest-grossing Tamil films of all time. With its phenomenal reception in Malaysia, Singapore, and the Gulf, Jailer demonstrated Rajinikanth's unmatched ability to unite audiences across borders. ## Now, Coolie (2025) has already sparked historic pre-release records, from crossing $2 million in North American premiere pre-sales to notching over 100 crore in advance bookings, setting the stage for another monumental box office run and continuing the superstar’s legacy into yet another decade. ## Rajinikanth's box office dominance isn't just about earnings; it's about the cultural experience. From fan rituals and overseas premieres to unprecedented opening-day sales, every release is a festival. His appeal spans generations, languages, and continents-making him a unique figure in Indian cinema history. And with Coolie, the question isn't whether Rajinikanth will break records, it's how many more he'll set. From his humble debut in Apoorva Raagangal to ruling screens across continents, Rajinikanth's journey is more than just a string of blockbusters — it's the story of an icon who became a cultural phenomenon. ## His films have not only shattered box office records but also united audiences across generations, languages, and borders. As the Superstar marks 50 years in cinema, his legacy continues to inspire, proving that true stardom isn't measured by numbers alone, but by the hearts won along the way. And if history has shown us anything, it's that Rajinikanth's reign at the box office is far from over. ## Stay tuned...

Yash Raj Films' Saiyaara, starring Ahaan Pandey, Aneet Padda, Budget and Non-Theatrical Revenue Revealed Bollywood
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Yash Raj Films' Saiyaara, starring Ahaan Pandey, Aneet Padda, Budget and Non-Theatrical Revenue Revealed

Mumbai, August 5 - Yash Raj Films' romantic drama Saiyaara is storming into the 500 crores gross club at the worldwide box office in a day or two, sealing its name in the history of Indian cinema as the first romantic film and first for debutantes to hit the milestone. ## Starring Ahaan Pandey and Aneet Padda, Saiyaara has been a box office phenomenon, which also helped in increasing its non-theatrical revenue. According to the latest report by Pinkvilla, Saiyaara was made on a budget of around 60 crores. The film is expected to fetch a massive 225+ crores worldwide theatrical share. ## As per the report, the insane theatrical run of the film has escalated the digital revenue to 45 crore (from 25 crore), whereas the satellite deal has been upscaled to 15 crore (from 8 crore). The music of the film, which has become a rage among youth, is expected to generate 50 crore revenue within a year. The music rights are with Yash Raj Films. ## Yash Raj Films is expected to make a profit of around 300 crores from Saiyaara's theatrical and non-theatrical rights, which is nearing 500% return on investment, making it one of the most profitable Indian films of all time. The movie has turned into gold for YRF, whose next release is Hrithik Roshan, and Jr. NTR-fronted highly-anticipated War 2, on August 14. ## Saiyaara proved to be a perfect launchpad for Ahaan Pandey and Aneet Padda, who are now the talk of the town. Yash Raj Films' smart strategy regarding the promotion of the film has been one of the biggest reasons for the film's box office success. The movie is still going strong at the box office and is expected to continue till August 14. ## Stay tuned...

Ekka Box Office Collection | All Language | Day Wise | Worldwide Box Office
62171 views

Ekka Box Office Collection | All Language | Day Wise | Worldwide

Here is the Kannada movie Ekka box office collection which is an action drama thriller film. This film is directed by Venu and produced by KRG Studios, Jayanna Films, and PRK Audio. ## Ekka stars Yuva Rajkumar, Sampada Hulivana, Atul Kulkarni, and Rahul Dev Shetty in key roles. ## Ekka Review - Coming Soon!## Ekka Box Office Collection Day Wise | All Language [See Footfalls] DayIndia Net Collection Change(+/-) Day 1 [1st Friday] ₹ 1.45 Cr - Day 2 [1st Saturday] ₹ 1.35 Cr -6.90% Day 3 [1st Sunday] ₹ 1.65 Cr 22.22% Day 4 [1st Monday] ₹ 0.7 Cr -57.58% Day 5 [1st Tuesday] ₹ 0.6 Cr -14.29% Total ₹ 5.75 Cr - ## Take Subscription To See Footfalls ## India Net Collection ₹ 5.75 Cr ## Worldwide Collection ₹ 6.8 Cr ## Overseas Collection ₹ 0 Cr ## India Gross Collection ₹ 6.8 Cr ## Ekka Budget: ₹ - Cr * Approx ## Ekka Verdict: Coming Soon ## Ekka Screen count ## India: - * expected ## Overseas: - * expected ## Worldwide total: - ## Release Date: 18th July 2025 ## For more and the latest news about Sandalwood Box Office Collection, Stay tuned to us.Ekka State Wise Gross CollectionDayKarnatakaAPTGTamil NaduKeralaRest Of IndiaDay TotalDay 1 [1st Friday]₹ 1.66 Cr₹ 0.01 Cr₹ 0.01 Cr₹ 0.01 Cr₹ 0.01 Cr₹ 1.7 CrDay 2 [1st Saturday]₹ 1.56 Cr₹ 0.01 Cr₹ 0.01 Cr₹ 0.01 Cr₹ 0.01 Cr₹ 1.6 CrDay 3 [1st Sunday]₹ 1.91 Cr₹ 0.01 Cr₹ 0.01 Cr₹ 0.01 Cr₹ 0.01 Cr₹ 1.95 CrDay 4 [1st Monday]₹ 0.82 Cr₹ 0.01 Cr₹ 0.01 Cr₹ 0 Cr₹ 0.01 Cr₹ 0.85 CrDay 5 [1st Tuesday]₹ 0.68 Cr₹ 0 Cr₹ 0.01 Cr₹ 0 Cr₹ 0.01 Cr₹ 0.7 CrDay 6 [1st Wednesday]₹ 0.54 Cr₹ 0 Cr₹ 0 Cr₹ 0 Cr₹ 0.01 Cr₹ 0.55 CrDay 7 [1st Thursday]₹ 0.52 Cr₹ 0 Cr₹ 0 Cr₹ 0 Cr₹ 0.01 Cr₹ 0.53 CrWeek 1 Gross₹ 7.69 Cr₹ 0.04 Cr₹ 0.05 Cr₹ 0.03 Cr₹ 0.07 Cr₹ 7.88 CrTotal₹ 7.69 Cr₹ 0.04 Cr₹ 0.05 Cr₹ 0.03 Cr₹ 0.07 Cr₹ 7.88 Cr ##

Thammudu Box Office Collection | All Language | Day Wise | Worldwide Box Office
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Thammudu Box Office Collection | All Language | Day Wise | Worldwide

Here is the Telugu movie Thammudu box office collection which is an action drama film. This film is directed by Venu Sriram and produced by Sri Venkateswara Creations. ## Thammudu stars Nithiin, Varsha Bollamma, Swasika, Sapthami Gowda, and Saurabh Sachdeva in key roles. ## Thammudu Box Office Collection Day Wise | All Language [See Footfalls] DayIndia Net Collection Change(+/-) Day 1 [1st Friday] ₹ 1.9 Cr - Day 2 [1st Saturday] ₹ 1.2 Cr -36.84% Day 3 [1st Sunday] ₹ 1.15 Cr -4.17% Day 4 [1st Monday] ₹ 0.6 Cr -47.83% Day 5 [1st Tuesday] ₹ 0.5 Cr -16.67% Total ₹ 5.35 Cr - ## Take Subscription To See Footfalls ## India Net Collection ₹ 5.35 Cr ## Worldwide Collection ₹ 7.3 Cr ## Overseas Collection ₹ 1 Cr ## India Gross Collection ₹ 6.3 Cr ## Thammudu Budget: ₹ - Cr * Approx ## Thammudu Verdict: Coming Soon ## Thammudu Screen count ## India: - * expected ## Overseas: - * expected ## Worldwide total: - ## Release Date: 4th July 2025 ## For more and the latest news about Tollywood Box Office Collection, Stay tuned to us.Thammudu State Wise Gross CollectionDayKarnatakaAPTGTamil NaduKeralaRest Of IndiaDay TotalDay 1 [1st Friday]₹ 0.2 Cr₹ 2 Cr₹ 0.02 Cr₹ 0 Cr₹ 0.03 Cr₹ 2.25 CrDay 2 [1st Saturday]₹ 0.22 Cr₹ 1.15 Cr₹ 0.01 Cr₹ 0 Cr₹ 0.02 Cr₹ 1.4 CrDay 3 [1st Sunday]₹ 0.16 Cr₹ 1.15 Cr₹ 0.02 Cr₹ 0 Cr₹ 0.02 Cr₹ 1.35 CrDay 4 [1st Monday]₹ 0.1 Cr₹ 0.58 Cr₹ 0 Cr₹ 0 Cr₹ 0.02 Cr₹ 0.7 CrDay 5 [1st Tuesday]₹ 0.09 Cr₹ 0.5 Cr₹ 0 Cr₹ 0 Cr₹ 0.01 Cr₹ 0.6 CrTotal₹ 0.77 Cr₹ 5.38 Cr₹ 0.05 Cr₹ 0 Cr₹ 0.1 Cr₹ 6.3 Cr ##

Strong Occupancy, Lower Net: A Rare Box Office Mismatch Raises Questions Bollywood
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Strong Occupancy, Lower Net: A Rare Box Office Mismatch Raises Questions

Mumbai, June 22 – A recent box office trend has surprised many in the trade, as a film that witnessed strong occupancy across multiple circuits ended its opening weekend with net collections lower than early tracking estimates. This is an unusual scenario, as gross tracking typically falls short of final net by around 10% due to spot bookings, offline sales, and single-screen data, which are not fully captured in advance data systems. ## To explain this better, consider a typical 100-seat screen. In most cinemas, around 10 seats are held offline by the theatre and are not available for online booking. These are either reserved for counter sales or held for operational flexibility. In almost all films with good demand, once 60–70 of the 90 open seats are filled, those remaining 10 held-back seats are also sold via the counter — pushing the final occupancy close to full. Our tracking system accounts for these patterns based on years of observed behavior across thousands of movies. ## However, in this particular case, despite visible occupancy reaching 60–70%, the 10 offline hold seats remained unsold in many shows. This led to a situation where our system counted them (as they usually convert), but the final reported net collections turned out lower than expected. ## To put it in perspective, our tracking system recorded a gross of approximately ₹25 crore for the day. After adjusting for GST, this would normally translate to ₹21–21.5 crore net. For most commercial films, spot bookings and offline sales usually push the final figure even higher, to around ₹23–24 crore. However, the reported net in this case was just ₹20 crore — a significant gap that contradicts historical trends. ## The likely explanation is a large share of the shows being booked in advance through bulk, corporate, or institutional tie-ups — including NGOs, school screenings, or employee events. These bookings fulfill a majority of the theatre’s capacity, but the remaining offline hold seats may not get utilized, as the show is already “occupied” on paper. This breaks the normal behavior pattern our system relies on — where high demand drives complete conversion, including counter sales. ## But if there is no evidence of bulk or corporate booking at such scale, and offline sales still don’t occur despite good occupancy, it leads to a more serious concern — intentional underreporting. ## Though difficult to verify without internal GST and invoicing access, such underreporting has been discussed in industry circles, particularly when it comes to: ## Lowering tax liabilities, ## Reducing revenue-sharing obligations with exhibitors, ## Or managing payout cycles with distributors and partners. ## Such practices are risky, especially with digital ticketing and real-time settlement now common across major chains. However, in certain setups — including some single screens, backend deals, and unmonitored bulk bookings — they can still be executed with limited oversight. ## This is not a failure of tracking logic, but a rare deviation in audience behavior and/or reporting structure. The Sacnilk tracking model remains consistent across releases and continues to operate within a narrow margin of accuracy under normal conditions. ## The situation going forward will depend on how weekdays hold up, but this anomaly serves as a reminder that strong occupancy alone does not always guarantee proportional net revenue. ## Stay tuned...

WWE Smackdown Results March 21, 2025: Highlights, Winners SmackDown
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WWE Smackdown Results March 21, 2025: Highlights, Winners

Here are the full results for this Friday's SmackDown which is scheduled to air live on March 21, 2025, at Unipol Arena in Bologna, Italy. ## Friday Night SmackDown currently airs live every Friday on Fox from 8:00 ET–10:00 PM ET in the United States. ## SmackDown Ring Announcer: Alicia Taylor## WWE SmackDown 3/21/2025 Promotion: WWE ## WWE SmackDown 3/21/2025 City: Bologna, Italy ## WWE SmackDown 3/21/2025 Venue: Unipol Arena ## WWE SmackDown 3/21/2025 Full Results ResultsMatch Type Damian Priest & Jimmy Uso defeated Drew McIntyre & Shinsuke Nakamura - Braun Strowman defeated Jacob Fatu - Piper Niven w/The Green Regime defeated Zelina Vega - Liv Morgan w/Raquel Rodriguez defeated Jade Cargill - The Street Profits defeated Los Garza w/Santos Escobar - ## To stay updated with all the latest wrestling news, add Sacnilk.com to your Google News feeds and follow us on Twitter.

WWE Smackdown Results March 14, 2025: Highlights, Winners SmackDown
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WWE Smackdown Results March 14, 2025: Highlights, Winners

Here are the full results for this Friday's SmackDown which is scheduled to air live on March 14, 2025, at Olimpic Arena in Barcelona, Spain. ## Friday Night SmackDown currently airs live every Friday on Fox from 8:00 ET–10:00 PM ET in the United States. ## SmackDown Ring Announcer: Lilian Garcia## WWE SmackDown 3/14/2025 Promotion: WWE ## WWE SmackDown 3/14/2025 City: Barcelona, Spain ## WWE SmackDown 3/14/2025 Venue: Olimpic Arena ## WWE SmackDown 3/14/2025 Full Results ResultsMatch Type LA Knight, Jimmy Uso, Braun Strowman defeated Solo Sikoa, Jacob Fatu, Tama Tonga 6 Man Tag Team Match Charlotte Flair defeated B-Fab - Damian Priest defeated Shinsuke Nakamura - Randy Orton defeated Carmelo Hayes - GUNTHER defeated Axiom - The Street Profits defeated DIY WWE Tag Team Championship ## To stay updated with all the latest wrestling news, add Sacnilk.com to your Google News feeds and follow us on Twitter.

WWE Smackdown Results March 7, 2025: Highlights, Winners SmackDown
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WWE Smackdown Results March 7, 2025: Highlights, Winners

Here are the full results for this Friday's SmackDown which is scheduled to air live on March 7, 2025, from Wells Fargo Center in Philadelphia, Pennsylvania. ## Friday Night SmackDown currently airs live every Friday on Fox from 8:00 ET–10:00 PM ET in the United States. ## SmackDown Ring Announcer: Lilian Garcia## WWE SmackDown 3/7/2025 Promotion: WWE ## WWE SmackDown 3/7/2025 City: Philadelphia, Pennsylvania ## WWE SmackDown 3/7/2025 Venue: Wells Fargo Center ## WWE SmackDown 3/7/2025 Full Results ResultsMatch Type Tiffany Stratton defeated Piper Niven - Pretty Deadly defeated Motor City Machine Guns and Los Garzas - Braun Strowman defeated Solo Sikoa - Chelsea Green defeated Michin - Drew McIntyre defeated Jimmy Uso - LA Knight defeated Shinsuke Nakamura - ## To stay updated with all the latest wrestling news, add Sacnilk.com to your Google News feeds and follow us on Twitter.

WWE Smackdown Results February 28, 2025: Highlights, Winners SmackDown
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WWE Smackdown Results February 28, 2025: Highlights, Winners

Here are the full results for this Friday's SmackDown which is scheduled to air live on February 28, 2025, from Scotiabank Arena in Toronto, Canada. ## Friday Night SmackDown currently airs live every Friday on Fox from 8:00 ET–10:00 PM ET in the United States. ## SmackDown Ring Announcer: Lilian Garcia## WWE SmackDown 2/28/2025 Promotion: WWE ## WWE SmackDown 2/28/2025 City: Toronto, Canada ## WWE SmackDown 2/28/2025 Venue: Scotiabank Arena ## WWE SmackDown 2/28/2025 Full Results ResultsMatch Type Jacob Fatu defeated Andrade El Idolo Number One Contenders Qualifying Match LA Knight defeated Santos Escobar - Carmelo Hayes defeated Braun Strowman - Morgan, Rodriguez and Perez defeated Bayley, Belair and Naomi - Tiffany Stratton vs. Chelsea Green No result ## To stay updated with all the latest wrestling news, add Sacnilk.com to your Google News feeds and follow us on Twitter.